It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 13, 2018, 09:57 AM
https://lesterbanks.com/2018/06/animate-constraint...
Mikael Pettersén Shows How to Animate Constraints to Break Apart Objects in a Simulation. Looking for a way to gradually break apart an object within a rigid body simulation? There are a few ways that
June 13, 2018, 09:57 AM
https://lesterbanks.com/2018/06/cinematic-energy-b...
Joel Adams Teaches How to Make Great-Looking Energy Blasts With Blender. Cinematic energy blasts? We’ve seen them in all kinds of films from science fiction to fantasy. With Iridesium’s latest tutorial you too can have
June 13, 2018, 09:57 AM
http://www.avidblogs.com/avid-wins-2018-panorama-a...
The post Avid Wins 2018 Panorama Awards with Maestro | Designer and Media Composer | First appeared first on Avid Blogs.
June 13, 2018, 09:38 AM
https://www.aotg.com/kees-van-oostrum-to-lead-asc-for-third-term/
The American Society of Cinematographers (ASC) has re-elected Kees van Oostrum as president. Van Oostrum will serve his third consecutive term.
#cinematography#asc#american society of cinematographers#asc board#cinematographersJune 13, 2018, 06:09 AM
https://filmschoolrejects.com/filmmaking-tips-from...
Creating some of Pixar’s best films is no easy feat, but Pete Docter has accomplished that and much more. One of the leading men at Pixar since the beginning, he co-wrote Toy Story and Toy Story 2 and later helmed the animated features Up and Inside Out, both of which earned him Academy Awards. He also directed Monster’s Inc., which didn’t win the Oscar but has become an animated classic and beloved childhood favorite for millions since its release.
June 12, 2018, 04:13 PM
https://lesterbanks.com/2018/06/xpresso-tracers-he...
Julian Field Shows How to Create a Heart Monitor Effect in Cinema 4D With a Bit of Xpresso. A new two-part series from the Xpresso Mechanic Julian Field shows how to create a heart monitor
June 12, 2018, 04:13 PM
http://postperspective.com/milk-provides-vfx-adrif...
As it celebrates its fifth anniversary, Oscar-, Emmy- and BAFTA-winning VFX studio Milk has taken an additional floor at its London location on Clipstone Street. This visual effects house has worked on projects such as Annihilation, Altered Carbon and Fantastic Beasts and Where to Find Them. Milk’s expansion increases its artist capacity to 250, Continue reading → June 12, 2018 The post Milk provides VFX for Adrift, adds new head of production Kat Mann appeared first on Randi Altman...
June 12, 2018, 04:12 PM
http://noamkroll.com/how-to-make-any-dcp-for-25-wi...
DCPs (or Digital Cinema Packages) have long been the gold standard for digital feature film exhibition in theatrical venues. The format was developed in the 1990’s a replacement for 35mm projection, and has since been implemented in virtually every major cinema in North America (and most of the world).
June 12, 2018, 10:33 AM
https://lesterbanks.com/2018/06/browser-pro-maya-k...
DGDM’s Browser Pro Adds Some Kitbash Tools to its Feature-Set. A recent update to Browser Pro sees some new Kitbash tools creep into an already powerful asset management tool for Autodesk Maya. Browser Pro lets
June 12, 2018, 10:32 AM
https://cuttingroomtales.wordpress.com/2018/06/12/...
…and When You Should Stop. One question that I’m often asked when interviewing for a low-budget feature is: “how long do you think you’ll need?” The answer is… it’s complicated. The used to be a rule of thumb for feature films: 1.5 times the length of the shoot. This was based on the assumption … Continue reading →
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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