It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 7, 2015, 06:26 PM
http://www.screeneditors.com.au/ellie-awards-2015-...
The Australian Screen Editors Guild proudly congratulate the winners of the 2015 Australian Screen Editors Guild ‘Ellie’ Awards (winners in red) Feature Film Dany Cooper ASE, Holding the Man Ben Joss, Is This the Real World David Ngo, One Eyed Girl Nick Meyers ASE, Paper Planes Short Film Agnes Baginska, Milkmaid Danielle […]
December 7, 2015, 06:26 PM
http://postperspective.com/video-editors-need-deli...
Outpost Worldwide is a Kansas City-based production and post company that creates content for a variety of TV series, network game shows, reality shows, commercials and corporate videos. Their television work includes shows like Strange: Exorcist, Garden Earth and Project Runway Latin America. Documentaries they have worked on include The Barber’s Diaries, No Shortcuts and Let Freedom Ring. Films include Fight Night, Dogs of Eden and Last Ounce of Courage. With the passage of the CALM....
December 7, 2015, 06:25 PM
http://deadline.com/2015/12/nathan-nugent-editor-r...
Irish-born editor Nathan Nugent always is up for a challenge. He’s collaborated with director Lenny Abrahamson on his last three features, including the heavily dramatic What Richard Did, the tonally complex Michael Fassbender-vehicle Frank, and now Room, which presented the most logistically challenging edit to date. In the film, Brie Larson portrays a young woman who was kidnapped and held captive in a garden shed by a predator for seven years.
December 7, 2015, 01:35 PM
http://www.provideocoalition.com/even-faster-snaps...
December 7, 2015, 01:35 PM
http://www.youtube.com/watch?v=TPPVaSATGkA
We all know we need to archive our projects for the long-term. But…how? What’s the best option for smaller workgroups on limited budgets that still need to preserve their critical media and project files? In our "Protect Your Stuff – Archive" webinar, Larry Jordan shows both the hardware and software needed for long-term archiving.
December 7, 2015, 01:35 PM
http://www.youtube.com/watch?v=PNQ87566FBI
We all know we need to archive our projects for the long-term. But…how? What’s the best option for smaller workgroups on limited budgets that still need to preserve their critical media and project files? In our "Protect Your Stuff – Archive" webinar, Larry Jordan shows both the hardware and software needed for long-term archiving.
December 7, 2015, 01:34 PM
http://www.provideocoalition.com/review-movcam-top...
December 7, 2015, 01:33 PM
http://news.doddleme.com/blogs/post-production/avi...
Editors live and die by their safe titles and safe pictures guides. In Avid Media Composer, though, tracking down where to set them up properly can be a little tricky. That’s why in this lesson, we’re going to take a look at turning the Grid on, and adjusting its settings.
December 7, 2015, 10:24 AM
http://www.btlnews.com/awards/contender-editor-mar...
When director George Miller was looking for an editor to coalesce the wild ride that is Mad Max: Fury Road, he knew there was only one woman strong enough for the job: Margaret Sixel. The woman whose influences were Picnic at Hanging Rock (1975), My Brilliant Career (1979), and Breaker Morant (1980). He knew she wouldn’t be easy to get. She also just happened to be married to him. More importantly, she initially turned the job offer down flat. The post Contender – Editor Margaret Sixel,...
December 6, 2015, 06:16 AM
http://www.provideocoalition.com/christmas-gift-id...
It’s time once again for the 6th annual, often imitated but never duplicated Christmas Gift Ideas for the Video Editor in Your Life column. Don’t be fooled by the other similar columns that pop up on other post-production blogs around the internet as the Editblog is the original going back to 2010 with our first installment in this annual series. Hit up 2011, 2012, 2013 or 2014 for other ideas. Of course at this point in the life of the series there’s only so many things one can really...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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