It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 7, 2018, 02:09 PM
https://www.fastcompany.com/40582526/is-the-freela...
There are fewer temporary workers today than there were in 2005, according to a much anticipated report on contingent workers from the Bureau of Labor Statistics released this morning. The new data offers some insight into the number of people who rely on temporary work for income, but experts say it may not paint a full picture of the changing nature of work.
June 7, 2018, 09:37 AM
http://www.postmagazine.com/Press-Center/Daily-New...
LONDON — VFX studio Framestore (www.framestore.com) has entered into a strategic partnership with Magic Leap, a company that is building a next generation spatial computing platform that will power mixed reality experience. Framestore has been working with the company for several years to create original content and unique experiences that will be released later this year on Magic Leap One, Creator Edition. Through this partnership, the teams will enable more brands and customers to build ...
June 7, 2018, 09:37 AM
https://www.youtube.com/watch?v=gTa9x-oTkBI
Recorded live at the May 2018 LACPUG Meet. Paul Saccone of Blackmagic Design returned to LACPUG to show off the new features in DaVinci Resolve 15. Resolve now offers Fusion visual effects and motion graphics directly in the program and Paul gave us a tour. For more information please visit: https://www.blackmagicdesign.com/products/davinciresolve/ Hosted by Michael Horton.
June 7, 2018, 09:37 AM
http://postperspective.com/editfest-london-sets-li...
The American Cinema Editors (ACE) have set its lineup of editors for EditFest London, which takes place on June 30 at BFI Southbank. In addition to film panels, this year’s event will feature editors drilling down on their experiences editing television crime dramas, followed by a panel discussion focusing on the jump from assistant editor to editor. Continue reading → June 7, 2018 The post EditFest London sets lineup appeared first on Randi Altman's postPerspective.
June 7, 2018, 09:37 AM
http://postperspective.com/color-audio-post-hulus-...
Hulu’s limited series, The Looming Tower, explores the rivalries and missed opportunities that beset US law enforcement and intelligence communities in the lead-up to the 9/11 attacks. Based on the Pulitzer Prize-winning book by Lawrence Wright, who also shares credit as executive producer with Dan Futterman and Alex Gibney, the show’s 10 episodes paint an absorbing, Continue reading → June 7, 2018 The post Color and audio post for Hulu’s The Looming Tower appeared first on Randi A...
June 7, 2018, 09:36 AM
http://www.artofvfx.com/thor-ragnarok-vfx-breakdow...
Digital Domain have released the VFX Breakdown of their work on the ships chase sequence for THOR – RAGNAROK...
June 7, 2018, 09:36 AM
https://www.mpaa.org/2018/06/black-panthers-vfx-te...
It turns out that Wakanda is real. The nation’s most stunning vistas weren’t taken from another country, or the product of various other environments blended together. Wakanda is real—in a sense—in that it was created almost entirely by the visual effects wizards who brought Ryan Coogler’s vision of the fictional African nation into reality. The most astonishing location in the history of the Marvel Cinematic Universe was nearly entirely created by digital effects. A new VFX reel shows...
June 7, 2018, 09:36 AM
https://www.creativebloq.com/news/win-tickets-to-s...
This Summer, CG enthusiasts from all over the globe will gather in Vancouver for the annual SIGGRAPH (Special Interest Group on Computer Graphics and Interactive Techniques) conference. And you could be there too!
June 7, 2018, 07:12 AM
https://jonnyelwyn.co.uk/film-and-video-editing/af...
If you're looking for an affordable colour grading control panel the Tangent Wave2 is a great option. Unlike other affordable panels it works with DaVinci Resolve, Premiere Pro, FCPX and more! Here's my hands-on review.
#colour grading control surface review#colour grading panel#tangent wave2 panelJune 7, 2018, 04:39 AM
http://www.avidblogs.com/broadcastasia-2018/
The post Avid at BroadcastAsia 2018 — Capture the Future appeared first on Avid Blogs.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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