To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

The Meg: What does a giant shark sound like?

September 4, 2018, 04:57 AM

https://postperspective.com/meg-giant-shark-sound-...

By Jennifer Walden Warner Bros. Pictures’ The Meg has everything you’d want in a fun summer blockbuster. There are explosions, submarines, gargantuan prehistoric sharks and beaches full of unsuspecting swimmers. Along with the mayhem, there is comedy and suspense and jump-scares. Best of all, it sounds amazing in Dolby Atmos. The team at E² Sound, Continue reading → September 3, 2018 The post The Meg: What does a giant shark sound like? appeared first on Randi Altman's postPerspe...

How Would You Define…

September 3, 2018, 09:44 AM

http://designingsound.org/2018/09/03/how-would-you...

…this image? Often times, that’s what our job is. We’re given an image or an emotion to describe through the use of sound, or sometimes it’s a little easier. We’re tasked with creating something that doesn’t exist in our every daily lives, but has enough visual elements we can relate to that we understand what […]

10 Ways You Can Use Auxiliary Tracks

September 3, 2018, 05:36 AM

https://www.pro-tools-expert.com/home-page/2018/8/...

In this Premium Video Tutorial, you can learn 10 smart ways that you can use Aux Tracks in Pro Tools... I bet you never thought that there were so many Aux Track applications, did you?

In Pro Tools Why Do We Sometimes Lose Our Edit Sel

September 1, 2018, 07:14 AM

https://www.pro-tools-expert.com/home-page/2018/8/...

We've all auditioned our carefully set up Edit selection only to have it disappear when we hit stop. If you don't know why its happening it can be very frustrating. In this free video tutorial, brought to you with the support of Avid, Pro Tools Expert Team member Julian Rodgers shows why it happens, how you can get your edit selection back and why the thing causing this problem is one of the fundamentals of Pro Tools.

Free Plugin - Klanghelm for Pro Tools

August 31, 2018, 08:40 AM

https://www.pro-tools-expert.com/home-page/2018/08...

IVGI is a saturation/distortion plug-in which can deliver very soft and subtle saturation suitable for use on the master buss. It is equally capable of very dense and dirty distortion effects for use on single tracks.

Creating Fluidity with Music Editing: An Interview

August 30, 2018, 09:41 AM

http://designingsound.org/2018/08/30/creating-flui...

Jim Harrison is an award-winning music editor, whose credits comprise The Greatest Showman, The Jungle Book, Houdini, Ice Age: Collision Course, Harry Potter and the Chamber of Secrets, Purple Rain and many more. In this interview Jim talks to us about the music editing process between pop and classical music for The Greatest Showman, as […]

Calrec did the thinking, you can do it on Impulse

August 30, 2018, 07:12 AM

https://www.aotg.com/calrec-did-the-thinking-you-can-do-it-on-impulse/

At IBC 2018 (Stand 8.C61), Calrec is previewing its new Impulse core, the next generation audio processing platform. The Impulse core is a very powerful audio processing and routing engine with AES67 and SMPTE 2110 connectivity. The Impulse core is compatible with existing Apollo and Artemis control surfaces, providing a simple upgrade path for existing Calrec customers.

#calrec
Is Netflix's New Loudness Delivery Spec Genius?

August 30, 2018, 06:32 AM

https://www.pro-tools-expert.com/home-page/2018/8/...

It seemed I started getting emails from people almost as soon as the virtual ink was dry on the latest delivery spec to come from Netflix. People were concerned about the language and the impression that Netflix had turned the clock back 10 years by using Dolby’s Dialog Intelligence software. In this article, we investigate to see if Netflix’s new delivery spec is a retrograde move, a pragmatic response to the changing climate, or a stroke of genius.

Pro Sound Effects & Nugen Audio partner on plug-in

August 29, 2018, 04:38 PM

http://www.postmagazine.com/Press-Center/Daily-New...

BROOKLYN, NY — Pro Sound Effects has partnered with Nugen Audio to launch the Nugen Post Bundle Giveaway. Valued at more than $2,000, the Nugen Post Bundle delivers 11 audio plug-ins that are crucial to delivering industry standard quality sound for broadcast, film and game production.

Kin Sound Designer Joseph Fraioli on Otherworldly

August 29, 2018, 12:37 PM

http://www.studiodaily.com/2018/08/kin-sound-desig...

When commercial directors Jonathan and Josh Baker released their 2014 short film “Bag Man,” it felt very much like a bridge from their advertising work to the world of longform narrative. The 14-minute film follows a young boy from Harlem as he travels, alone, lugging a suspiciously heavy looking duffel bag on a trip into the […] The post Kin Sound Designer Joseph Fraioli on Otherworldly FX Work for an Indie-Style Story appeared first on Studio Daily.

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