To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

SIGGRAPH 2018 : des réseaux de neurones pour anim

May 25, 2018, 08:52 AM

http://www.3dvf.com/actualite-23482-siggraph-2018-...

The animation of quadrupeds, whether in animation, VFX or video games, is a complex problem that requires great mastery. Automated or semi-automated methods often need to generate animation snippets, and motion capture also has limitations.

9 Essential Cuts Every Video Editor Needs to Know

May 25, 2018, 08:51 AM

https://www.shutterstock.com/blog/9-essential-cuts...

Whether you’re editing on Premiere, Final Cut Pro X, Resolve, or Avid, there are few editing decisions you can make that benefit your story in important ways. These are ways to tell a story, not technical details for specific software. These are fundamental storytelling techniques that will help your project find its voice and make it stand out from the crowd. Let’s take a look at the must-know cuts every editor needs to know.

You cannot trust your ears, and we can prove it

May 25, 2018, 08:51 AM

https://www.redsharknews.com/audio/item/5511-you-c...

The internet is currently obsessed with one of those rather tedious internet memes, following on from “Is this a blue/black or white/gold dress”, this time it’s ”Can you hear Yanny or Laurel?”

Editor Alan Edward Bell uses Fusion 9 on Red Sparr

May 24, 2018, 12:19 PM

http://www.postmagazine.com/Press-Center/Daily-New...

FREMONT, CA — Editor Alan Edward Bell recently used Blackmagic Design’s Fusion 9 Studio visual effects and motion graphics software during the editing the 20th Century Fox feature film Red Sparrow. The spy thriller stars Jennifer Lawrence as ballerina Dominika Egorova, who is recruited into Sparrow School, a secret Russian intelligence service. On the search for a mole within the Russian government, Dominika’s first target is an American CIA agent (Joel Edgerton). The film also stars ...

In growth mode, Deluxe NY hires features, episodic

May 24, 2018, 12:19 PM

http://postperspective.com/growth-mode-deluxe-ny-h...

Senior colorist Sam Daley has joined Deluxe post operations in New York, where he will lead final color finishing for feature films and television. Daley has working in the New York post market for over 20 years. Prior to joining Deluxe, Daley spent time at Technicolor, Postworks and Tapehouse. He began his career in color at Du Art, Continue reading → May 24, 2018 The post In growth mode, Deluxe NY hires features, episodic colorist Sam Daley appeared first on Randi Altman's postPerspe...

DigitalGlue’s Creative.Space intros all-Flash 1R

May 24, 2018, 12:18 PM

http://postperspective.com/digitalglues-creative-s...

Creative.Space, a division of DigitalGlue that provides on-premise managed storage (OPMS) as a service for production and post companies, broadcast networks, has added the Breathless system to its offerings. The product will make its debut at Cine Gear in LA next month. The Breathless Next Generation Small Form Factor (NGSFF) media storage system offers 36 front-serviceable NVMe SSD bays in 1 RU. Continue reading → May 24, 2018 The post DigitalGlue’s Creative.Space intros all-Flash 1R...

4 Secret Weapons for Mixing Metal in Avid Pro Tool

May 24, 2018, 12:18 PM

http://www.avidblogs.com/4-secret-weapons-for-mixi...

The post 4 Secret Weapons for Mixing Metal in Avid Pro Tools appeared first on Avid Blogs.

Getting To Grips With Pro Tools - Part 10 - Clip G

May 24, 2018, 05:00 AM

https://www.pro-tools-expert.com/home-page/2018/5/...

In part 10 of our Getting To Grips With Pro Tools series, we are going to take a look at how to use Clip Groups. formerly known as Region Groups, in Pro Tools.

ART OF THE CUT with Alex O'Flinn of indie sensatio

May 24, 2018, 04:59 AM

https://www.provideocoalition.com/aotc-the-rider

In 2014, Alex O’Flinn was awarded Sundance’s Sally Menke Memorial Film Editing Fellowship. He has edited The Bad Batch, A Girl Walks Home Alone at Night, and Autism in Love. Most recently he was nominated for an Independent Spirit Award for Best Editing for The Rider (also nominated as Best Picture and Best Director and Best Cinematography), which is the film we sat down to talk about for this Art of the Cut interview. This film has generated a lot of buzz. I loved seeing it at Chicago’s h...

Sound editor/re-recording mixer Will Files joins S

May 23, 2018, 04:41 PM

http://postperspective.com/sound-editor-re-recordi...

Sony Pictures Post Production Services has added supervising sound editor/re-recording mixer Will Files, who has spent a decade at Skywalker Sound. His brings with him credits on more than 80 feature films, including Passengers, Deadpool, Star Wars: The Force Awakens and Fantastic Four. Files won a 2018 MPSE Golden Reel Award for his work on War for the Planet of the Apes. Continue reading → May 23, 2018 The post Sound editor/re-recording mixer Will Files joins Sony Pictures Post appear...

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