It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 16, 2018, 11:00 AM
https://www.aotg.com/prime-image-releases-software-time-tailor/
Virtual Machine and Optional Cloud Operation Offers Content Owners New Models to Generate More Income
#prime imageMay 16, 2018, 09:32 AM
http://www.postmagazine.com/Press-Center/Daily-New...
VANCOUVER — VFX studio Image Engine (image-engine.com) has appointed two visual effects supervisors to its Vancouver-based headquarters: (L-R) Christian Irles and Joern Grosshans. The appointments bring a wealth of experience to the team, having produced VFX at MPC, Pixomondo and Image Engine’s partner company, Cinesite, on projects such as Mary Poppins Returns and Game of Thrones.
May 16, 2018, 09:31 AM
https://www.youtube.com/watch?v=VDMGPYqWDyw
MEWShop’s one-day summit returns to New York on June 14, 2018 at the NYIT Auditorium on Broadway. Panels include the art and processes of editing documentary film and episodic television. Our closing panel will highlight the career of an acclaimed feature film editor Kevin Tent, ACE with author and film historian Bobbie O’Steen. The summit culminates in a gala reception and networking session for guests, panelists and vendors. Schedule: 3:30pm: Check-In 4:00pm: Opening/S...
May 16, 2018, 09:31 AM
http://www.postmagazine.com/Press-Center/Daily-New...
MONTREAL — Grass Valley (grassvalley.com), a Belden Brand, recently introduced a new version of its Edius nonlinear editing software. Edius 9.2 incorporates new features for increased speed, creativity and flexibility in broadcast studios. The latest version of the editing software remains tightly integrated with the GV Stratus video production and content management system to efficiently meet the needs of news broadcasters and includes several upgrades to support enhanced HDR editing.
May 16, 2018, 09:31 AM
http://www.fcp.co/final-cut-pro/articles/2076-chri...
Need to integrate FCPX with Adobe's After Effects? Chris Fenwick runs through his workflow when using the two apps together and gives us some great tips in the process.
May 16, 2018, 08:58 AM
https://jonnyelwyn.co.uk/film-and-video-editing/co...
Which colour profile should you set your monitor to for video editing? What’s the difference between sRGB, Adobe RGB, DCI-P3 and others? What colour space is my NLE using? How do I correctly colour grade for internet delivery?
#video editing#colour management#rgb vs srgbMay 16, 2018, 05:58 AM
http://www.broadcastbeat.com/colour-me-intrigued-v...
Colour your production with vMix 21! vMix 21 has opened the door for unparalleled professional production workflows with the addition of professional colour correction tools. This version includes real-time 3-way colour correction for live video productions where users can adjust lift, gamma and gain and view any changes through the built-in vectorscope and waveform monitor. ...
May 16, 2018, 05:58 AM
http://www.studiodaily.com/2018/05/black-panther-v...
Method Studios VFX Supervisor Daryl Sawchuk, who was credited as animation supervisor on Black Panther, walks through breakdowns of Black Panther and Killmonger’s digital super-suits — and, yes, those animated rhinos! — in this video created by Wired. The post How Black Panther’s Visual Effects Were Made appeared first on Studio Daily.
May 15, 2018, 02:39 PM
http://www.digitalproductionbuzz.com/2018/05/digit...
If you want to be as efficient as you can be, you need an effective workflow - a process for completing a task successfully. This can be as simple as a paper-trail or more complicated like a 3rd-party application. Tonight we talk with industry leaders in workflow to see how they can help.rality is, what the new policy will be and what it means for all of us. Join host Larry Jordan as he talks with Michael Cioni, Joel Stoner, Andy Shenkler, Greg Dolan, Michael Kammes and James DeRuvo. Def...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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