It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 7, 2019, 10:33 AM
https://www.artofvfx.com/avengers-infinity-war-vfx...
Following their VES Award for Outstanding Visual Effects in a Photoreal Feature, Digital Domain has just released the VFX Breakdown about their work on AVENGERS – INFINITY WAR focusing on the creation of Thanos...
February 7, 2019, 05:02 AM
http://www.studiodaily.com/2019/02/oscar-nominated...
In Universal Pictures’ First Man, we follow astronaut Neil Armstrong from 1961 until he famously takes his first steps on the moon. The innovative visual effects put us inside the shaky cockpits. We see the light from the cosmos out the small windows and reflected on visors.
February 6, 2019, 07:32 AM
http://www.cgchannel.com/2019/02/fxhome-ships-imer...
HitFilm developer FXhome has released Imerge Pro 2.0, the latest version of the still image-editing tool, adding a new GPU-accelerated RAW conversion engine and support for 16-bit image export.
February 6, 2019, 07:30 AM
http://www.cgchannel.com/2019/02/ziva-dynamics-lau...
Ziva Dynamics has launched new Academic licences for Ziva VFX, its skin and muscle plugin for Maya.
February 5, 2019, 01:41 PM
https://postperspective.com/review-boris-fxs-conti...
By Brady Betzel I realize I might sound like a broken record, but if you are looking for the best plugin to help with object removals or masking, you should seriously consider the Mocha Pro plugin. And if you work inside of Avid Media Composer, you should also seriously consider Boris Continuum and/or Sapphire, Continue reading → February 5, 2019 The post Review: Boris FX’s Continuum and Mocha Pro 2019 appeared first on Randi Altman's postPerspective.
February 5, 2019, 01:41 PM
https://variety.com/2019/artisans/awards/ves-award...
From bungee cords to artificial intelligence, the strategies used by this year’s Visual Effects Society nominees ran the gamut. The awards will take place Feb. 5.
February 4, 2019, 11:54 AM
https://www.provideocoalition.com/classic-course-c...
This fun blur from the Cycore Effects that come bundled with Adobe After Effects. It looks at a second layer as a map to determine how much to blur an image by, and in what direction. The results are often surrealistic:
February 2, 2019, 05:34 AM
https://www.digitaltrends.com/movies/aquaman-visua...
DC Comics’ lord of the seas made quite a splash on the big screen when Aquaman arrived in theaters in December, and the Warner Bros. Pictures film recently moved past The Dark Knight Rises to become the highest-grossing movie of all time based on a DC character.
January 31, 2019, 10:56 AM
http://www.postmagazine.com/Press-Center/Daily-New...
LOS ANGELES — The Visual Effects Society (VES) has announced its 2019 board of directors. The officers, who comprise the VES Board Executive Committee, were elected at the January 2019 board meeting.
January 31, 2019, 10:55 AM
https://www.mpaa.org/2019/01/bird-boxs-vfx-supervi...
What happens when Marcus Taormina, 34, tells people that he was the visual effects supervisor on the wildly popular Netflix film Bird Box?
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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