To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
INSIDE THE EDIT – QLD
April 30, 2018, 05:47 AM
https://www.screeneditors.com.au/inside-the-edit-q...
Eisenstein makes a scene: IVAN THE TERRIBLE Part I
April 30, 2018, 05:47 AM
http://www.davidbordwell.net/blog/2018/04/29/eisen...
For Yuri Tsivian DB here: Everyone knows Eisenstein as a theorist and practitioner of something called montage, which in his hands comes to mean a lot of things. But he was no less interested in what he called expressive movement. He believed that the viewer could be aroused by dynamic physical action that carried powerful […]
Avengers - Infinity War editor, Jeffrey Ford, ACE
April 29, 2018, 08:35 AM
https://www.provideocoalition.com/art-of-the-cut-w...
Jeffrey Ford, ACE has been working in the Marvel Universe for several years. His previous projects include: Doctor Strange (additional editor), Captain America: Civil War (editor, for which I interviewed him previously), Avengers: Age of Ultron (editor and associate producer), Captain America: The Winter Soldier (editor), Iron Man 3 (editor), The Avengers (editor), and Captain America: The First Avenger (editor). Ford’s other work includes films like Public Enemies and One Hour Photo.
Get handy free VFX pipeline management tool Prism
April 29, 2018, 08:34 AM
http://www.cgchannel.com/2018/04/get-handy-free-vf...
FX TD Richard Frangeburg has released Prism, an open-source tool described as a complete readymade pipeline for VFX and animation projects.
LOST IN SPACE: VFX Breakdown by FuseFX
April 28, 2018, 05:08 PM
http://www.artofvfx.com/lost-in-space-vfx-breakdow...
New VFX Breakdown for LOST IN SPACE, this time it’s about the work of FuseFX...
Apple Video job postings 2018… Cloud, IP product
April 28, 2018, 05:06 PM
http://alex4d.com/notes/item/apple-video-apps-2018...
A good way of seeing what Apple plans to work on is to check out their jobs site. A July 2017 job posting for a pro workflow expert to set up a studio ends up with Apple giving a journalist a tour of the lab in April 2018. Here is a round-up of recent Apple Pro Apps-related job posts. They hint as to what might be appearing in Apple’s video applications in 2019. Many start with this description of the Apple Video Applications group: The Video Applications group develops leading...
BOOK: BETWEEN CUTS. CONVERSATIONS WITH ARGENTINIAN
April 28, 2018, 09:52 AM
https://edaeditores.org/book-between-cuts-conversa...
3 Cool & Creative Pro Tools Reverb Mixing Tricks
April 28, 2018, 09:51 AM
https://www.pro-tools-expert.com/home-page/2018/4/...
Reverb is an essential effect in our plug-in arsenal. Reverb adds depth and space to tracks in a mix, without it we would all be a bit lost. The bread and butter approach we all use when mixing Reverb in Pro Tools is to load an instance of a reverb plug-in on a stereo auxiliary track and use buses to apply varying amounts of the effect to tracks in the mix. But how else can we harness the power of reverb in Pro Tools?
Finding that right music cue like
April 27, 2018, 06:34 PM
http://renderplease.com/post/173360440085
Week in Premiere 4/27/18
April 27, 2018, 11:47 AM
http://www.premierebro.com/weekinpr/week-in-premie...
PREMIERE PRO WEEK IN REVIEW: Premiere Pro CC 2018 (12.1) User Review • Premiere Pro New Features at NAB Show 2018 • insta360 Integration with Premiere Pro • "Dope" Mirror Effect and "Dopest" Clone Effect Tutorials
#adobe#premiere pro#tutorials#news#reviews
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