It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 19, 2018, 12:48 PM
https://doddlenews.com/larry-jordan-thoughts-on-na...
For those that stopped by the Digital Production Buzz booth in South Lower, it was great to see you. I just wish our production schedule allowed me more time to visit. I always enjoy chatting with you.
April 19, 2018, 09:10 AM
https://www.aotg.com/5-things-on-liveu-solo-vs-teradek-vidiu-pro/
In this episode of 5 THINGS, Michael pits the LiveU Solo against the Teradek VidiU Pro.
April 19, 2018, 09:10 AM
https://www.shutterstock.com/blog/motion-graphics-...
It doesn’t matter if you’re short on time, lack design skills, or just plain hate creating graphics — Premiere Pro has you covered with motion graphics templates. Whether you need a credit roll, lower thirds, titles, slates, captions, transitions, looping backgrounds, or logos, Adobe has plenty of available options. The good news? You don’t even have to leave the program to use them.
April 19, 2018, 08:21 AM
https://www.aotg.com/calrec-partners-with-gsl-professional/
To continue increasing its reach in the Middle East, Calrec has partnered with Dubai-based GSL Professional to give extensive distribution across the region including the UAE, Qatar, Oman, Jordan, Kuwait, Bahrain and Saudi Arabia.
#calrec#gsl professionalApril 19, 2018, 07:28 AM
https://www.aotg.com/miller-tripods-expands-dealer-network-in-canada/
Dealer With 90-Year History in Camera Industry Adds Miller Equipment to Product Portfolio
#miller#miller camera support#miller tripodsApril 19, 2018, 04:59 AM
http://www.digitalproductionbuzz.com/2018/04/digit...
Now that the 2018 NAB Show is over, we have a chance to look back and see what significant trends and products we were unable to cover. Tonight, we talk with several of the companies that we couldn't fit on our NAB Show BuZZ broadcasts. Join host Larry Jordan as he talks with Jeff Stansfield, Kevin Waehner, Chris Bailey, Wilson McCoy, Ali Ahamadi and James DeRuvo. Trends and Products at NAB 2018 New Wireless Gear from Sennheiser A Faster Way to Move Files Better Media Capture and Man...
April 19, 2018, 04:59 AM
https://roosterpost.wordpress.com/2018/04/18/marc-...
Working from dawn ’til dusk is something editor Marc Langley is familiar with. This new brand commercial for White Spot and 123w features “A Day In The Life” of White Spot and its customers. Marc worked with Untitled Films director Mark Gilbert to beautifully weave together some iconic White Spot/BC moments. Brand: White Spot Title: […]
April 19, 2018, 04:59 AM
https://www.cartoonbrew.com/vfx/how-ready-player-o...
Much of Steven Spielberg’s Ready Player One is set in the Oasis, a virtual reality world full of digital avatars, game and film characters, and expansive cg environments. To produce that world, the director relied heavily on a virtual production methodology overseen by Digital Domain where actors were filmed in motion capture volumes and where shots could be designed and tweaked live with a simul-cam or ‘v-cam.’
April 18, 2018, 12:59 PM
http://renderplease.com/post/173065383975
April 18, 2018, 12:58 PM
https://doddlenews.com/davinci-resolve-tutorial-pa...
Last time, in our look at learning DaVinci Resolve, we talked about the basics of importing footage into your Media Pool. In the next three articles, I want to look at bringing in footage from the three major NLE’s, Avid Media Composer, Adobe Premiere Pro and Final Cut Pro X, as this is one of the more common workflows, as editors more more and more towards doing their color correcting in Resolve. Let’s get started by looking at getting your footage out of Media Composer and into Resolve.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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