It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 9, 2018, 11:46 AM
http://www.fcp.co/final-cut-pro/articles/2059-how-...
A few days before the 2018 Academy Awards, we published an article about the crowd-funded British short movie "The Silent Child", written by Rachel Shenton and directed by Chris Overton, that had been nominated for an Oscar. The movie won, which was an incredible achievement considering that Rachel had never written a script before, Chris had never directed a movie before, the movie was produced with close to no budget, and it was cut with Final Cut Pro X by an editor who had never edited...
April 9, 2018, 11:46 AM
http://logic-pro-expert.com/logic-pro-blog/2018/04...
Flex Pitch has lots of uses. Although it’s primarily designed for tuning vocals, I often like using it as a quick and dirty scratch pad to experiment with vocal harmony parts.
April 9, 2018, 11:46 AM
https://www.provideocoalition.com/random-thoughts-...
Like the AJA press conference here’s some random thoughts at Blackmagic’s press conference.
April 9, 2018, 11:46 AM
https://www.newsshooter.com/2018/04/10/blackmagicd...
Blackmagicdesign today released Davinci Resolve 15 at NAB2018. The team at Blackmagicdesign are really touting the editing functions of the updated version of Resolve. These do look interesting and we will certainly be having a good play with it and let you know our thoughts. In the meantime here are some of the key new features.
April 9, 2018, 11:46 AM
https://www.provideocoalition.com/artificial-intel...
From local news to sport production, from delivery to remote locations to indexing and storage, Artificial Intelligence seems to be everywhere. We picked some of the solutions on show at NAB 2018.
April 9, 2018, 11:46 AM
https://www.prnewswire.com/news-releases/deluxe-la...
LOS ANGELES, April 9, 2018 /PRNewswire/ -- Deluxe Entertainment Services Group Inc. (Deluxe) today announced the launch of Deluxe One, a platform that unifies every stage of the content ecosystem — from creation to viewer experience — in one cloud-based interface. An open platform, Deluxe One is designed to integrate with any vendor or customer system, allowing users to succeed in an age where the lines between creator and distributor are becoming increasingly blurred.
April 9, 2018, 11:46 AM
https://www.provideocoalition.com/resolve-15-black...
Blackmagic’s grading tool turned NLE is on track to become a complete finishing platform–rivaling Autodesk’s Smoke and Flame platforms–thanks to the incorporation of the Fusion compositor directly into the application. In fact, with the enhancements to its Fairlight audio engine and collaboration tools, Resolve 15 offers a complete, closed ecosystem for the entire post workflow.
April 9, 2018, 09:33 AM
http://www.premierebro.com/blog/premiere-pro-cc-20...
LEARN ALL THE UPDATES IN PREMIERE PRO CC 2018 (12.1), FEATURING INTELLIGENT COLOR MATCH AND AUTO-DUCKING. Adobe has released Premiere Pro CC 2018 (12.1), available now for all Creative Cloud subscribers. At the center of the release are new smart color and audio workflows, powered by Adobe's artificial intelligence: Adobe Sensei. Learn how to use the Color Match, Auto-Ducking, and Comparison View in Premiere Pro CC 2018 (12.1).
#adobe#premiere pro#update#nab#adobe premiereApril 9, 2018, 04:19 AM
http://postperspective.com/arvato-nab-editmate-saa...
At NAB 2018, Arvato Systems is previewing an on-demand, SaaS edition of VPMS EditMate, the company’s production asset management system for Adobe Premiere Pro CC. According to Arvato, the new SaaS version of EditMate addresses the complexity of today’s editing projects by bringing all projects and media into a single, Continue reading → April 9, 2018 The post Arvato at NAB with EditMate SaaS for Adobe Premiere Pro appeared first on Randi Altman's postPerspective.
April 9, 2018, 04:19 AM
http://www.studiodaily.com/2018/04/avid-nab-new-su...
At its Avid Connect event prceding the opening of the NAB Show floor, Avid positioned new versions of its flagship Media Composer NLE that seem designed in part to go head-to-head with Adobe’s subscription-based Creative Cloud tools. Media Composer First, which the company said has had more than 100,000 activations, will remain free as an […] The post Avid at NAB: New Subscription Pricing for Media Composer, Cloud Services On Demand, Nexis Expansions, and Some Nifty New Hardware appeare...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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