To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Recent updates - April 2018
April 7, 2018, 04:38 PM
http://www.digitalrebellion.com/blog/posts/recent_...
We've been busy - here are some recent software updates for our products that you may have missed.CinePlay 1.5.1 - Apr 6 2018 CinePlay now displays more detailed information in the Metadata tab of the Info window Selecting a marker by clicking on it or using the arrow keys now also selects it in the Markers window Non-standard audio sample rates (e.g. 48.048kHz) now display correctly Fixed an issue where jumping to a specific timecode position could be inaccurate with very long QuickTim...
2018 #NABShow: Creative Master Series: The VFX Wiz
April 7, 2018, 04:37 PM
http://www.broadcastbeat.com/2018-nabshow-creative...
We all have heard and most of us have seen Stranger Things 2, when stats inform us that it’s first episode averaged over 15 million viewers in the first three days of its release! Now, at #NABShow attendees can take a peek at the visual artistry of the behind the scenes work to this 18 ...
Blackmagic to host production and post production
April 7, 2018, 04:37 PM
https://news.creativecow.net/story/892877
(April 7, 2018) Join experts from the production and post production industries as they highlight their work on real-world projects using a variety of Blackmagic Design gear. Presenters, such as Editor Alan Bell (“Red Sparrow,” “The Hunger Games” series), DIT Joshua Callis-Smith (“Kingsman: The Golden Circle”), Colorist Walter Volpatto (“Star Wars: The Last Jedi,” “Dunkirk”) and more, will share their insights on the latest workflows, technologies and trends impacting the ind...
Pro Tools 2018.4 - Full List of Bugs
April 7, 2018, 04:37 PM
https://www.pro-tools-expert.com/home-page/2018/4/...
As we promised in the Pro Tools 2018.4 news story Pro Tools HD Ends - Avid Announce Pro Tools 2018.4 And Rebrand Pro Tools HD As Pro Tools Ultimate here is the full list of bug fixes included in the Pro Tools 2018.4 release which you should find in your Avid Master Account already.
Protools HD Ends Long Live Pro Tools Ultimate
April 7, 2018, 04:37 PM
https://www.pro-tools-expert.com/home-page/2018/4/...
Avid has announced today the release of Pro Tools 2018.4, in which there are bug fixes for all Pro Tools users with current upgrade plans and Pro Tools HD software is being rebranded as Pro Tools Ultimate, which will also now include the Avid Complete Plugin Bundle worth $49.99 per year and Pro Tools MachineControl worth $749.
Atomos CEO interview on ProRes RAW
April 7, 2018, 05:59 AM
http://alex4d.com/notes/item/atomos-ceo-interview-...
REDSHARK have captured an exclusive video with Jeremy Young, the CEO of Atomos to get their take on ProRes RAW. Thanks to Charles Wren for the link. Here are a few excerpts from the 17 minute interview. He said that Atomos supporting ProRes RAW is the culmination of years of work. Atomos aim to supply 80% of the market – ARRI have the top-end cinema workflow sorted. They see it as their task to take best of that workflow and make it for everyone else. Although Atomos could captu...
When my favorite Editor comes back to the show
April 7, 2018, 05:58 AM
http://renderplease.com/post/172662298300
MUTANT YEAR ZERO: ROAD TO EDEN
April 7, 2018, 05:57 AM
http://www.artofvfx.com/mutant-year-zero-road-to-e...
Nice CG trailer created by Goodbye Kansas Studios for MUTANT YEAR ZERO – ROAD TO EDEN...
Justin Timberlake - Supplies VFX Breakdown
April 7, 2018, 05:57 AM
http://www.cgmeetup.net/home/justin-timberlake-sup...
Rodeo FX was tagged to create the visual effects for Justin Timberlake’s video for ‘Supplies’, for which our Advertising team delivered over 100 visual effects shots in under one month of production.
Why Apple ProRes RAW Is A Huge Deal for Post
April 7, 2018, 05:57 AM
http://noamkroll.com/why-apple-prores-raw-is-a-hug...
As some of you may have already heard, a few days ago Apple announced ProRes RAW – the next evolution in their ProRes codec lineup. For years ProRes has been the industry standard acquisition and editing format, followed by Avid’s DNxHD.
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Daniel George McDonald on Editing Cheer's Season 2 Finale
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
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Editing The Black Lady Sketch Show
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
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Philip White on Crafting A Madea Homecoming's Music
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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