It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 8, 2019, 02:09 PM
https://www.productionhub.com/blog/post/visual-eff...
ProductionHUB exclusively sat down with President & Visual Effects Supervisor of Bluefire Studios, Matt Hoffman, regarding the CW’s new fantasy-adventure drama series “The Outpost,” for which he used Blackmagic Design’s Fusion Studio VFX and motion graphics application.
January 7, 2019, 12:10 PM
https://www.aotg.com/es-broadcast-deploys-tsl-products-tallyman/
Upgraded PPUs Now Include TallyMan for Clients in the Broadcast, Sports, Entertainment, Exhibit and Corporate Sectors
#imt vislinkJanuary 5, 2019, 08:36 AM
https://postperspective.com/behind-the-title-fusef...
Over the years, this visual effects veteran has worked with both George Lucas and Steven Spielberg, whose films helped inspire his career path. NAME: Marshall Krasser COMPANY: FuseFX CAN YOU DESCRIBE YOUR COMPANY? FuseFX offers visual effects services for episodic television, Continue reading → January 4, 2019 The post Behind the Title: FuseFX VFX supervisor Marshall Krasser appeared first on Randi Altman's postPerspective.
January 4, 2019, 01:11 PM
https://www.toolfarm.com/blog/entry/interview_joe_...
Joe Mason has worked in the motion graphics and VFX industry for two decades, but cut his teeth on visual effects for film only this year with work on an upcoming spy thriller called Against The Clock. Directed and written by Mark Polish, who is also known for The Astronaut Farmer (2006) and Jackpot (2001), and starring Andy Garcia and Dianna Agron, Against The Clock is an effects-heavy film with innovative visuals. Michele Yamazaki from Toolfarm talks to Joe talks about his first-time experienc...
January 4, 2019, 06:47 AM
https://www.mpaa.org/2019/01/how-the-solo-a-star-w...
Han and Chewie are both great, but they share the screen with another serious Star Wars icon. Solo: A Star Wars Story rolled back the clocked to reveal some iconic moments from the franchise’s legacy. Chief among them was the unveiling of a retro Millennium Falcon. Industrial Light and Magic were charged with creating the new design and have now released a behind the scenes glimpse at how and why the changes were made.