It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 30, 2015, 05:19 AM
https://blogs.creativecow.net/blog/13885/media-man...
Avid Media Composer has databases that facilitate the MXF links for playback in the cut. These databases are for mxf avid native files, living in a specific folder with them.
September 29, 2015, 04:46 PM
http://feedproxy.google.com/~r/industryhappenings/...
WEDNESDAY, OCTOBER 14TH, 2015 – DOORS OPEN AT 7PM Join us for our October LAPPG meeting for valuable networking, great giveaways and informative presentations: THE LATEST FROM ADOBE Adobe’s Al Mooney, Senior Product Manager, Professional Video Editing, will return to the group fresh from IBC to share the latest news and updates announced at the big show. It will be a great time to get your questions answered and to get up to speed with video editing and the Creative Cloud! Al is respo...
September 29, 2015, 04:45 PM
http://news.doddleme.com/blogs/post-production/avi...
Normally when you’re exporting your final timeline from Avid Media Composer, you’re going to have sequences filled with many different media types including either Transcoded/Captured media, along with some Linked To content as well. This is where a “Non Same As Source” export comes into play.
September 29, 2015, 01:38 PM
http://postperspective.com/tips-bcpcs-best-practic...
By Chelsea Taylor A couple of years ago I was in an edit putting the finishing touches on the first episode of a short web series with the producer. While we were waiting for it to export we went discussed the problems we ran into so she could adjust for her next shoot. My suggestions? “Next time get more b-roll of the location, don’t let the talent ramble off topic and watch their eye line after a response.” The producer made these small adjustments and saw the difference it made i...
September 29, 2015, 01:37 PM
http://www.provideocoalition.com/ideal-storage-for...
September 29, 2015, 01:37 PM
http://www.philiphodgetts.com/2015/09/intelligent-...
All our apps - both Intelligent Assistance and Lumberjack System - are ready for El Capitan
September 29, 2015, 01:37 PM
http://www.provideocoalition.com/revealing-the-nex...
At IBC 2015, Adobe revealed some exciting new changes to our video products upcoming updates to the CC 2015 professional video and audio applications, including what's coming in After Effects, due for release later this year.
September 29, 2015, 01:36 PM
http://www.creativeplanetnetwork.com/news/post/tec...
Postproduction for Show Me a Hero, a six-part drama for HBO, was completed at Technicolor PostWorks New York. Set in 1980s Yonkers, New York, the show centers on conflicts among elected officials, bureaucrats and citizens over federal court-ordered construction of low-income housing. Both dailies processing and final color grading were performed by senior colorist Sam Daley. During preproduction, Daley worked with cinematographer Andrij Parekh in preparing color LUTs as an aid in setting looks o...
September 29, 2015, 01:36 PM
https://www.aotg.com/macbreak-ep-329-rigging-a-shape-in-motion-5/
In this episode Mark shows you the benefits of jumping into Motion to rig and publish a shape that will not distort the border when using the shape for title or other graphics in Final Cut Pro X.
September 29, 2015, 09:25 AM
http://www.btlnews.com/community/whos-where/offlin...
Chicago-based Optimus has hired offline editor Ruben Vela. Most recently, Vela was an offline editor at Conspiracy. Before that, he spent 12 years at Optimus. The post Offline Editor Ruben Vela Returns to Optimus appeared first on Below the Line.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.