It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 27, 2015, 12:58 PM
http://www.engadget.com/2015/09/27/the-ipad-pros-b...
When Apple launched the iPad in 2010, the biggest question was whether it could carve out a space between smartphones and laptops.
September 27, 2015, 08:11 AM
http://www.provideocoalition.com/media-composer-10...
In this lesson, Kevin P McAuliffe goes further in-depth into archiving your Media Composer projects by looking at another paid for Third Party utility from a company that has come back from a bit of a hiatus. Automatic Duck's Media Copy. As great as free is, sometimes you need a little extra power to archive your projects quick and easy.
September 27, 2015, 08:11 AM
http://www.provideocoalition.com/codecs-codecs-cod...
As the title says, Codecs are probably the single most confusing thing in editing, especially in Media Composer. Most editors don't know that Media Composer supports a ton of native codecs, you just need to know how to get your footage in, without having to recompress every shot!
September 27, 2015, 08:09 AM
http://lightsfilmschool.com/blog/why-you-need-to-b...
How can collaboration benefit your filmmaking? Why simplify a complicated concept? Useful tips in our zombie-themed interview with a music video director.
September 27, 2015, 08:09 AM
https://blogs.creativecow.net/blog/13879/2997-fps-...
29.97 fps Master Clip, the "Field Motion", and a 23.976 frames per second project.
September 27, 2015, 08:09 AM
https://blogs.creativecow.net/blog/13885/avid-utop...
Avid can direct the user to what folder to move the media into for use. Non-unity and unity folder structure tree, with the naming of folders, stipulations followed by default. An Avid Artist might be tasked with moving media from one storage device to another storage device for editing. The mission is to move the media from the storage device and have Avid be aware of the mxf media files.
September 27, 2015, 12:14 AM
An interview with SNL's Film Unit D.P., Alex Buono, including an excerpt from his Visual Storytelling 2 tour.
#production#filmmaking#tech#cinematography#alex buono#mzed#stu brownSeptember 26, 2015, 12:40 PM
http://www.newsshooter.com/2015/09/26/ibc-2015-par...
At IBC this year Paralinx introduced the successor to their entry level Arrow wireless video transmission system. Called the Ace, the new system is more rugged, with ABS plastic housing and aluminium mounting points. It also benefits from a wide range of powering options, courtesy of battery sleds that screw into the back of both the transmitter and receiver units: it’s possible to use Canon LP-E6 or Sony NP-F batteries, for example.
September 26, 2015, 06:47 AM
http://nofilmschool.com/2015/07/interview-eddie-ha...
Cut too fast, and you risk completely disorienting the audience. Cut too slowly, especially during an action sequence, and you risk boring the audience. All of this is to say that editing an action film is a balancing act, and it takes a deft, experienced hand to get it right.
September 25, 2015, 07:54 PM
http://www.provideocoalition.com/revealing-the-nex...
Adobe recently announced its forthcoming updates to the CC 2015 professional video and audio applications, including Premiere Pro. For information about new and upcoming versions of all of our professional video and audio applications, visit the Creative Cloud blog or the Creative Cloud for Video page on adobe.com, and see demos of these new features at our IBC Online event on September 15th. We’re also tremendously excited to be able to announce that 20th Century Fox’s upcoming...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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