To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
PETER RABBIT: Will Reichelt (Overall VFX Superviso
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http://www.artofvfx.com/peter-rabbit-will-reichelt...
Will Reichelt has nearly 20 years of experience in the visual effects, most of which at Animal Logic. He has worked on films like WORLD TRADE CENTER, AUSTRALIA, KNOWING and SUCKER PUNCH. As a VFX Supervisor, he took care of the effects of films such as WALKING WITH DINOSAURS 3D and MONK COMES DOWN THE MOUNTAIN.
10 Tips for Using VFX without Blowing your Budget
March 23, 2018, 12:37 PM
https://nofilmschool.com/2018/03/tips-using-vfx-sx...
Shawn Walsh of Zero Engine was thrown a major curve on Kathryn Bigelow’s Zero Dark Thirty when production hit a stumbling block in the third act. “Navy Seals go in with helicopters, but they are these top secret stealth helicopters,” he explained in the SXSW session on leveraging VFX for indie films. There was no way of knowing exactly what the cutting edge government choppers looked like, nor any way to get these secret choppers on set.
NAB 2018: Artificial Intelligence in the spotlight
March 23, 2018, 12:37 PM
https://www.provideocoalition.com/nab-2018-artific...
The hype around Artificial Intelligence is a fact, but there are real solutions usable here and now. NAB 2018 will be the place to discover what the future will bring and the changes we’re already going through.
Online Class with PES
March 23, 2018, 12:37 PM
https://pesfilm.com/products/online-class-with-pes
Take an online class with PES on the Skillshare Network. 8 lessons, 72 minutes total. PES talks about his influences and inspirations, techniques and creative habits.
Week in Premiere 3/23/18
March 23, 2018, 11:13 AM
http://www.premierebro.com/weekinpr/week-in-premie...
PREMIERE PRO WEEK IN REVIEW: 10 New Premiere Pro Transitions from FilmImpact.net • 6 FREE Callout Titles Motion Graphic Templates • Digital Anarchy Releases Transcriptive Update with PowerSearch • Envato Market Place Launches Premiere Pro Templates on VideoHive
#editing#adobe#premiere pro#tutorials#creative cloudTUTORIAL: HDR con DaVinci Resolve y UltraStudio 4K
March 23, 2018, 03:15 AM
http://www.finalcutpro.es/2018/03/tutorial-hdr-con...
Primavera de 2018. Se habla tanto del HDR (High Dynamic Range) que ya es imposible seguir manteniendo que es una moda pasajera y es el momento -sí aún no lo has hecho- de subirse al carro. Aunque alguien pueda pensar lo contrario, esta es una tecnología que, a nivel de producción, está al alcance de [...] La entrada TUTORIAL: HDR con DaVinci Resolve y UltraStudio 4K Extreme 3 se publicó primero en finalcutpro.es.
Longtime MPC Colorist Jean-Clément Soret Expands
March 23, 2018, 03:15 AM
http://www.studiodaily.com/2018/03/longtime-mpc-co...
Jean-Clément Soret has been named supervising DI colorist at Technicolor London, adding to his responsibilities as global creative director of color grading at MPC. Soret is perhaps best known for his work in advertising, but his feature-film credits include Steve Jobs, You Were Never Really Here and In the Heart of the Sea. (He may have been the first DI […] The post Longtime MPC Colorist Jean-Clément Soret Expands Role to Technicolor London appeared first on Studio Daily.
Getting called back to work as soon as I leave for
March 23, 2018, 03:15 AM
http://renderplease.com/post/172138957510
Pacific Rim 300 Foot Monsters VFX Explained
March 23, 2018, 03:15 AM
https://www.thecredits.org/2018/03/pacific-rim-vfx...
When he was a British schoolboy, Peter Chiang used to stand in the local bookstore staring at the covers of science fiction paperbacks and dreaming about fantastical scenarios. “I just loved the imagery,” says Chiang. “I started illustrating space ships and monsters and creatures, growing up on Thunderbirds sci-fi cartoon series here in the UK, and watching Blade Runner, which had a huge impact on my life. I remember thinking ‘I want to do that.'”
THE LAST JEDI: Previs, Postvis and Techvis Explain
March 23, 2018, 03:14 AM
http://vfxvoice.com/the-last-jedi-previs-postvis-a...
By now, most people are likely familiar with the previs process for big visual effects films. Previs – and its related disciplines of postvis and techvis – helps directors, crew and actors imagine complex scenes months before they are filmed or before visual effects get started. And the process continues as production on the film goes on.
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