To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Inside Pinewood's Foley Studio's

March 4, 2018, 07:35 AM

https://www.aotg.com/inside-pinewoods-foley-studios/

In this video from the BAFTA Guru library, delve into the world of film sound effects with Pinewood Studios' foley team. Learn from Pete Burgis - lead foley artist, Zoe Freed - foley artist, Jemma Riley-Tolch - foley & edit assistant and head of audio Glen Gathard about why foley is essential in the film production process and how they go about creating the foley.

How Nolan Uses Perspective to Express Fear

March 4, 2018, 07:35 AM

https://www.aotg.com/how-nolan-uses-perspective-to-express-fear/

With Christopher Nolan receiving his very first Oscar nomination for Best Director this year, we explore how the director's work in Dunkirk represents the apex of his career in more ways than one.

VISUALISING THE FUTURE WITH ENJAMIN

March 3, 2018, 02:02 PM

https://www.screeneditors.com.au/visualising-the-f...

Digistor Helps Small ArchViz Studio Deliver Big Studio Results. Ben Goodwin founded visualisation studio ENJAMIN Virtual Australia in 2005 with the aim of helping organisations define, plan and visualise their building development projects. Enjamin works directly with building and landscaping clients on a range of projects from pre-funding design concepts to providing advice to specialist […]

Creating Modular Text Systems in After Effects

March 3, 2018, 02:02 PM

http://lesterbanks.com/2018/03/creating-modular-te...

Speed Up Your Type Workflow by Making Modular Text Systems for Your Projects in After Effects Workbench’s Joe Clay has a look at creating modular text systems in After Effects, building upon his Liquid Write-On

EDITING ‘HOUNDS OF LOVE’ – MERLIN EDEN

March 3, 2018, 08:26 AM

https://www.screeneditors.com.au/editing-hounds-of...

When someone asks me to edit a film, I get the script and give it a read. With experience, you begin to see what might be problematic or redundant when it comes to finally getting down to cutting. I’m also a big believer in first impressions - "You don’t get a second chance to make a […]

HPA Tech Retreat 2018: Cinnafilm's Lance Maurer o

March 3, 2018, 08:26 AM

https://www.youtube.com/watch?v=U9yE_txg5Jg

Cinnafilm's Pixel Strings offers image processing in the cloud. CEO Lance Maurer and crew were at the HPA Tech Retreat 2018 giving demos.

Dunkirk: The Editing of the Snowball Effect

March 3, 2018, 08:25 AM

https://www.aotg.com/dunkirk-the-editing-of-the-snowball-effect/

For Christopher Nolan, suspense is the most visual of the cinematic languages and through structure and editing, he takes it to new heights.

Adobe Video User Group – Sydney

March 3, 2018, 08:25 AM

https://www.screeneditors.com.au/adobe-video-user-...

Australian Screen Editors and Adobe Video User Group (AVPUG) got together on Wednesday 28th of February 20018, for an inaugural hookup,   held at Carve and Stitch in Pyrmont.  The session kicked off with Jon Barrie introducing this first AVPUG Sydney ASE hookup, (one was held in Melbourne last week), which we hope will become […]

We Got The Button.

March 3, 2018, 08:25 AM

https://www.aotg.com/we-got-the-button/

I don't do this often, and this doesn't happen often, but I want to share with you the Button Unboxing and say thank you to you.

All the #28daysofQuickTips 2018 in one place

March 3, 2018, 08:23 AM

https://www.provideocoalition.com/28daysofquicktip...

February was a busy month as the Editblog posted a QuickTip a day for the entire month. Some were Adobe Premiere Pro, some Final Cut Pro X, others Avid Media Composer … even a few DaVinci Resolve tips and various other things. Feel free to browser #28daysofQuickTips from 2009, 2011 and 2015 as well but some of those might be outdated. Here they are by category in alphabetical order by NLE...

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