To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

8K really is better than 4K, here's the proof

March 1, 2018, 06:52 AM

https://www.redsharknews.com/production/item/5310-...

Phil Holland, probably the biggest exponent of 8K video production at the moment, has written that he has tried 8K playback on the new 70” Sharp Aquos 8K TV and seen an improvement over 4K. He’s in a very good position to do this because he makes his own 8K content, including aerial footage of New York that was shot in 3x 8K resolution and actually downsampled to 8K.

2018 HPA Tech Retreat: What We Heard About HDR, HF

February 28, 2018, 05:53 PM

http://www.studiodaily.com/2018/02/hpa-tech-retrea...

The HPA Tech Retreat this year was bigger than ever and just as fascinating, as it touched on topics as disparate as high dynamic range, high frame rates, ACES, artificial intelligence and computer vision. Here’s a high-level summary. High Dynamic Range (HDR) Panelists described the ongoing integration of HDR into production and post pipelines, as well […] The post 2018 HPA Tech Retreat: What We Heard About HDR, HFR, ATSC 3.0, ACESnext and More appeared first on Studio Daily.

Oscar-winner Jeff White is now CD at ILM Vancouver

February 28, 2018, 05:53 PM

http://postperspective.com/oscar-winner-jeff-white...

Oscar-winning visual effects supervisor Jeff White has been named creative director of Industrial Light & Magic’s Vancouver studio. A 16-year ILM veteran, White will work directly with ILM Vancouver executive in charge Randal Shore. Recently, the Academy of Motion Picture Arts and Sciences honored White and three colleagues, Continue reading → February 28, 2018 The post Oscar-winner Jeff White is now CD at ILM Vancouver appeared first on Randi Altman's postPerspective.

Behind the Title: Arcade Edit’s Ali Mao

February 28, 2018, 01:41 PM

http://postperspective.com/behind-title-arcade-edi...

NAME: Ali Mao COMPANY: Arcade Edit in New York City CAN YOU DESCRIBE YOUR COMPANY? Arcade is a film and television editorial house with offices located in Los Angeles and New York City. WHAT’S YOUR JOB TITLE? Continue reading → February 28, 2018 The post Behind the Title: Arcade Edit’s Ali Mao appeared first on Randi Altman's postPerspective.

How to Create a C4D Clay or Override Material Fast

February 28, 2018, 01:41 PM

http://lesterbanks.com/2018/02/create-c4d-clay-ren...

Uwe Schweer-Lambers Shows How to Make a Useful Clay Render Using Ambient Occlusion and Fresnel Dubbed the “clay render,” a dull grey render not only looks great, but it can be a valuable tool for

Dive into Pro Quality Audio in Premiere

February 28, 2018, 01:40 PM

https://nofilmschool.com/2018/02/premiere-pro-prof...

Filmmaking is thought of primarily as a visual medium, but sound and audio play a pivotal role in truly bringing those visuals to life. If you're an editor, you most likely understand the frustrations of trying to work with both of these components simultaneously in a way that is not only efficient but effective at giving you more room to create. Adobe addresses this in a big way by integrating the powerful controls of Audition, its flagship digital audio workstation, right into Premiere Pro wit...

Wisycom RF Solutions for Motorsports Broadast

February 28, 2018, 10:54 AM

https://www.aotg.com/wisycom-rf-solutions-for-motorsports-broadast/

Sobatech Group S.L, a leading provider of broadcast services, recently provided cost-effective, 'start-to-finish' project management for a range of motorsports events. As part of its overall equipment specifications, Sobatech upgraded its wireless equipment to include a range of Wisycom products, including its MFL Links, MRK960 Receivers, MTK952 Transmitters, MPR50-IEM Wideband Receivers, MTP40S Bodypack Transmitters, Wisycom's Software Manager and MTH400 Handheld Transmitters.

#wisycom
Track Matte Versus Set Matte in After Effects

February 28, 2018, 10:26 AM

http://lesterbanks.com/2018/02/track-matte-versus-...

Mobox’s Mike Ridolfi Offers Some Insights Into the Various Matte Methods in After Effects, Including Set Matte Mattes are an essential part of motion graphics and certainly make up a significant portion of tasks in

Create a Portal Effect Animation With Fusion

February 28, 2018, 10:26 AM

http://lesterbanks.com/2018/02/create-portal-effec...

Enginpost’s Steve Mcdonald Has a 5 PArt Series Showing How to Create a Portal Effect Using Fusion Enginpost’s Steve Mcdonald walks through building a portal effect using the free version of Blackmagic Design’s Fusion. Fusion

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