Colorist Bob Festa returns to Encore Hollywood

February 22, 2018, 03:18 PM

http://www.postmagazine.com/Press-Center/Daily-New...

HOLLYWOOD — Bob Festa has re-joined the Encore Hollywood team as senior colorist. His career credits span commercials, features and music videos, and he will now focus full time on episodic TV content. 

QC’ing a cut like

February 22, 2018, 03:18 PM

http://renderplease.com/post/171168179525

'Coco' Depends on VFX for That Wow Factor

February 22, 2018, 03:17 PM

http://variety.com/2018/film/awards/coco-depends-o...

While many live-action features include an increasing amount of CG animation, the movement has gone both ways, and animated features now also boast effects that are increasingly sophisticated and often highly realistic. It is a trend validated by the Visual Effects Society, which honors effects in animated films at its annual VES Awards.

How Hans Zimmer Fused Sound And Image

February 22, 2018, 03:17 PM

http://deadline.com/2018/02/dunkirk-hans-zimmer-os...

Embarking on a storied creative partnership with Christopher Nolan over a decade ago, Hans Zimmer always shared with the director one particular desire: to compose a score that would fuse completely and irrevocably with the image.

Tear Video and Stills with XEffects Rips Plugins f

February 22, 2018, 11:45 AM

http://www.fcp.co/final-cut-pro/news/2043-tear-vid...

A new product and a new(ish) look. Idustrial Revolution has just released XEffects Rips, a set of plugins for Final Cut Pro X that rip or tear video and still images. There's a special launch price of $39 down from $49 too.

How to Create a Dynamic Candle Flame with Cinema 4

February 22, 2018, 11:45 AM

http://lesterbanks.com/2018/02/create-dynamic-cand...

Freelance 3D & VFX Artist Sam Tato Shows How to Make a Dynamic Candle Flame Using Joints & Other Tricks There is a lot to be said for short, concise and entirely helpful tutorials. A

BRIGHT: Jason Billington - VFX Supervisor

February 22, 2018, 11:45 AM

http://www.artofvfx.com/bright-jason-billington-vf...

Jason Billington worked in many studios such as Fuel, Meteor Studios, Digital Domain and ILM before joining Iloura (now Method Studios) in 2015. He has worked on films such as TRANSFORMERS, AVATAR, PACIFIC RIM and JURASSIC WORLD. As a VFX Supervisor, he took care of the effects of DEEPWATER HORIZON, PATRIOTS DAY and GHOST IN THE SHELL.

How Dunkirk Overturned Conventions in Storytelling

February 22, 2018, 11:45 AM

http://variety.com/2018/film/awards/christopher-no...

The nominated films for the 90th Academy Awards include plenty of breakthroughs, such as works from women and black filmmakers, genre-bending movies and two first-time directors. It’s a cutting-edge lineup.

Miller Welcomes New U.S. Southeast Sales Manager

February 22, 2018, 09:32 AM

https://www.aotg.com/miller-welcomes-new-u-s-southeast-sales-manager/

Miller Tripods Ltd, a leader in the production of innovating camera support solutions, announces that Phillip Kaplan has been named Southeast Regional Sales Manager for the U.S. In his new role, Kaplan will sustain and grow Miller's distribution network and customer base within his territory.

VÍDEO: Round-trip entre FCPX y DaVinci Resolve co

February 22, 2018, 06:06 AM

http://www.finalcutpro.es/2018/02/video-round-trip...

Si hay una duda que nos planteáis de forma periódica a través de esta web y de nuestras redes sociales, es como trabajar con determinados modelos de cámara. En este vídeo vamos a tratar de dar dos soluciones para poder montar en Final Cut Pro X con material de las Sony Alpha, como por ejemplo [...] La entrada VÍDEO: Round-trip entre FCPX y DaVinci Resolve con material de Sony a7S y a7R aparece primero en finalcutpro.es.