To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Editing the Big Bang Theory: An Editor's Chat wit

September 3, 2015, 04:42 AM

http://tracking.feedpress.it/link/9766/1704254

How do you edit with a bang? To find out, we turned to the award winning video editor, Peter Chakos, for answers. Chakos acts as both editor and producer for the Emmy-winning comedy series, The Big Bang Theory. In 2007, he was awarded an Emmy for Outstanding Multi-Camera Picture Editing for a Comedy Series for his work on the show.

Art of the Cut with Eddie Hamilton of Mission: Imp

September 3, 2015, 04:42 AM

http://www.provideocoalition.com/art-of-the-cut-wi...

Eddie Hamilton's list of credits is envious, starting with feature film editing credits in 1998 and kicking into high gear with 2010 with the Kick-Ass movies, X-Men: First Class, The Loft, Kingsman: The Secret Service, and now Mission: Impossible - Rogue Nation. Eddie didn't even study film in school, but knew that this was his dream and his goal and did everything he could to work his way up from post house runner to film editor by soaking up knowledge like a sponge, contesting conv...

Ep 47: Maxim Jago on Being an Efficient Editor

September 3, 2015, 04:42 AM

http://www.fitnessinpost.com/47/

Maxim Jago is literally “the guy that wrote the book on Avid and Adobe Premiere.” He’s also an award winning director, tech author, award winning screenwriter, futurist…you name it, this guy knows something about it.

Pixspan and Alliance Integrated Technology Announc

September 2, 2015, 10:49 PM

https://www.aotg.com/pixspan-and-alliance-integrated-technology-announc/

Pixspan, Inc., the leading company with technology that solves the storage and bandwidth challenges of full resolution images, today announced a strategic reseller partnership with Alliance Integrated Technology, Inc., a leading provider of workflow solutions, and high-performance computing and storage infrastructure for the media and entertainment, education, enterprise, and government markets.

#storage#data
Scream Queens Super-Sized Main Title Sequence

September 2, 2015, 04:13 PM

http://www.studiodaily.com/2015/09/scream-queens-s...

There's a whole lot of screaming goin' on in this very in-your-face title sequence for the new Ryan Murphy show on Fox this fall. Fear not—the over-the-top horror tropes are delivered ironically, with co-star Diego Boneta offering a knowing wink to the camera. The post Scream Queens Super-Sized Main Title Sequence appeared first on Studio Daily.

Postproduction Employees at Deluxe Culver City to

September 2, 2015, 12:38 PM

http://www.btlnews.com/crafts/post-production/post...

Employees of Deluxe Entertainment’s Culver City postproduction facility are voting today on whether to unionize the shop with the Motion Picture Editors Guild and International Alliance of Theatrical Stage Employees (IATSE), in an election conducted by the National Labor Relations Board (NLRB). The post Postproduction Employees at Deluxe Culver City to Vote on Unionizing appeared first on Below the Line.

Deluxe Toronto provides services for 19 TIFF selec

September 2, 2015, 09:22 AM

http://www.postmagazine.com/Press-Center/Daily-New...

TORONTO — Deluxe Entertainment Services Group Inc. provided a wide range of creative services and digital solutions for 19 of this year’s Toronto International Film Festival (www.tiff.net ) selections. Deluxe Toronto, Deluxe’s full service post facility in downtown Toronto, is also the official post home for the Festival.  

An Animation Editorial Workflow

September 2, 2015, 09:22 AM

http://www.jaa-editing.com/blog/an-animation-edito...

I put this together pretty quickly for the internal project wiki at work as a basic overview of what goes in and out of my remit as editor on a 52 x 11 min animated series, where within the process sequence reviews typically happen, and where things come from/ go to. It's not as entirely linear as this in practice (locks happen before all of the animation is done, for example - so that any extensions can be accommodated), a lot of things end up happening as simultaneously, and I'm typic...

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