To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Transcript: Digital Production Buzz – February 1

February 16, 2018, 02:37 PM

http://www.digitalproductionbuzz.com/2018/02/trans...

HOST Larry Jordan GUESTS Brendan Carr, Commissioner, FCC Jonathan Handel, Entertainment/Technology Attorney & Labor Reporter, TroyGould and The Hollywood Reporter Philip Hodgetts, President, Lumberjack System James DeRuvo, Editor-in-Chief, DoddleNEWS == Male Voiceover: The Digital Production Buzz is brought to you by KeyFlow Pro.… The post Transcript: Digital Production Buzz – February 15, 2018 appeared first on Digital Production BuZZ.

How to Create an Omnidirectional Pendulum in After

February 16, 2018, 02:37 PM

http://lesterbanks.com/2018/02/create-omnidirectio...

AE Pro Shinsuke Matsumoto Shares How to Make an Expression-Based Pendulum Motion in After Effects That can be Omnidirectional A pendulum is one of the first things animation students practice. Its motion teaches you a

Week in Premiere 2/16/18

February 16, 2018, 12:52 PM

http://www.premierebro.com/weekinpr/week-in-premie...

PREMIERE PRO WEEK IN REVIEW: Find the Beat with BeatEdit for Premiere Pro • "The Square" Edited in Premiere Pro • Controlling the Frame in Premiere Pro • Editing Different VR360 Resolutions in Premiere Pro

#editing#adobe#premiere pro#tutorials#creative cloud
Brickyard Filmworks launches in Boston & LA

February 16, 2018, 10:04 AM

http://www.postmagazine.com/Press-Center/Daily-New...

SANTA MONICA, CA — Brickyard Filmworks (www.brickyardfilmworks.com), a new integrated content creation studio, has launched in Los Angeles and Boston. The sister company to Brickyard VFX is comprised of directors, creative directors, designers, animators, and technologists that can create projects of any scope, on any platform.

How Guillermo del Toro Uses Color to Create New Wo

February 16, 2018, 10:04 AM

https://filmschoolrejects.com/guillermo-del-toro-u...

Last month, Guillermo del Toro won his first Golden Globe for directing, and then he received his first nomination for the equivalent Oscar. His new film, The Shape of Water, also received a Best Picture nomination and is one of the most talked about features heading into next month’s Academy Awards. It is a breakthrough work for del Toro and one of my personal favorites.

Goggle Collaboration - Premiere & After Effects

February 16, 2018, 07:29 AM

https://www.aotg.com/goggle-collaboration-premiere-after-effects/

Gpanel will be one of the best utilities in your creative arsenal. You can open and edit any Google Doc or Google Sheet. The best part of Gpanel is that you can edit the documents live right within the panel. Great for Scripts, Script Notes, Storyboards, Transcriptions and To-Do lists. If you are collaborating with a producer on the same document, you’ll see their updates live and real-time. The possibilities are endless with Gpanel!

#adobe#after effects#premiere pro#primal cuts#gpanel
MONSTER.COM "Opportunity Roars": Making of

February 16, 2018, 04:23 AM

http://www.artofvfx.com/monster-com-opportunity-ro...

Have a look at this making of by The Mill about their work on this MONSTER.COM commercial...

Intro to 3D VFX: Maya

February 16, 2018, 04:23 AM

http://www.cgmeetup.net/home/intro-to-3d-vfx-maya/

Mark Spevick, our Head of 3D as he takes you on a tour of the 3D VFX short courses at Escape Studios and gives you an overview of Maya, the workhouse of all 3D artists.

My 10th IAVA (Invisible Art/Visible Artist)

February 15, 2018, 08:07 PM

http://wordpress.quintessentialstudios.net/?p=899

In 2009, I went to my first IAVA event. It’s a panel of editors who have been nominated for that year’s Academy Award or Oscar, put on by A.C.E. (American Cinema Editors). The editors in attendance, usually all of them, discuss their path to an editing career and their film they’re nominated for editing. It [...]

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