To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

New "Fusion in Resolve" 20 minute quickstart

October 24, 2018, 12:46 PM

https://www.provideocoalition.com/new-fusion-in-re...

Hot off the moviola.com presses: a 20 minute guide to get you up and running in Resolve’s new Fusion page. Been holding off taking the deep dive into Blackmagic’s full-featured finishing package DaVinci Resolve? Well, it’s time. Fusion is now a first-class citizen in the Resolve interface, bringing the power of node-based compositing directly to the editing timeline.

Along with the Gods VFX Breakdown

October 23, 2018, 09:49 AM

https://www.artofvfx.com/along-with-the-gods-vfx-b...

Norwegian studio gimpVille have released this VFX Breakdown about their work on ALONG WITH THE GODS...

Shadow: Nikos Kalaitzidis, VFX Super

October 23, 2018, 09:48 AM

https://www.artofvfx.com/shadow-nikos-kalaitzidis-...

A few months ago, Nikos Kalaitzidis explained the work of Digital Domain on ANT-MAN AND THE WASP. He talks to us today about his work on SHADOW.

ANT-MAN AND THE WASP: VFX BREAKDOWN

October 22, 2018, 04:36 AM

https://www.artofvfx.com/ant-man-and-the-wasp-vfx-...

Rodeo FX presents their work on ANT-MAN AND THE WASP in this VFX Breakdown...

Fundamentals of VFX Has Nice Illustrated Concepts

October 20, 2018, 02:40 PM

https://lesterbanks.com/2018/10/fundamentals-vfx-c...

David Longfield’s VFX Course is a Great Primer for Visual Effects Fundamentals. If you are new the VFX game and are looking to solidify some of the concepts that get used in production, consider taking

Sine waves and triangle patterns

October 20, 2018, 06:51 AM

https://www.aotg.com/sine-waves-and-triangle-patterns/

This weeks tutorial is a bit different, not in content, but in author. We have a guest author showing off his skills. A big hardy welcome to Nels, with a tutorial on sine waves and triangle. Make sure to give him some love in the comments and reach out.

Trick Digital regarding bloody VFX work on breakou

October 19, 2018, 09:27 AM

https://www.productionhub.com/blog/post/trick-digi...

Breakout indie horror, You Might Be the Killer, which premiered Saturday, October 6 on Syfy, also recently premiered at the Fantastic Fest and is based on an infamous Twitter exchange between authors Sam Sykes and Chuck Wendig. A killer is on the loose at Camp Clear Vista and head camp counselor Sam (Fran Kranz, “The Cabin in the Woods”) needs help. Covered in blood, he calls his best friend Chuck (Alyson Hannigan, “Buffy the Vampire Slayer,” “How I Met Your Mother”), and they tr...

How Marvel Built the VFX in Ant-Man and the Wasp

October 19, 2018, 05:37 AM

http://www.studiodaily.com/2018/10/marvel-built-vf...

See how some of the VFX work in Marvel’s Ant-Man and the Wasp was accomplished — including the task of erasing decades from co-star Michael Douglas’s face — as Wired talks impossible images with Danielle Costa, Marvel’s VP of VFX. The post How Marvel Built the VFX in Ant-Man and the Wasp appeared first on Studio Daily.

Fader Effects for FCPX

October 18, 2018, 08:43 AM

https://fxfactory.com/blog/effects-2/fader-effects...

Build smooth, engaging transitions with Fader.

How Marvel Built the VFX in Ant-Man and the Wasp

October 18, 2018, 08:43 AM

https://www.youtube.com/watch?v=fT2pmyuoRyE

Go behind the scenes of "Ant Man and the Wasp" with Danielle Costa, vice president of visual effects for Marvel Studios, as she explains all the amazing ways that CGI experts made characters bug-sized, enormous, and microscopic.

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