To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Week in Premiere 1/26/18

January 26, 2018, 04:43 AM

http://www.premierebro.com/weekinpr/week-in-premie...

PREMIERE PRO WEEK IN REVIEW: Premiere Pro 12.0.1 Update Now Available • Support for Variable Frame Rate in Premiere Pro • Free Month of Sapphire Tutorials on Lynda.com • Four Sundance Films Edited in Premiere Pro

Making relative Adobe asset paths work in Post Has

January 26, 2018, 04:23 AM

http://www.digitalrebellion.com/blog/posts/making_...

If you're using Post Haste to create templates for your Adobe project files, you may have run into an issue where the project file still points to assets in their original location on disk, not relative to the template path. Here's how to get relative paths working: Create a new folder to temporarily store the files. Recreate the relevant folders from your template. So if you store video in a Media folder and the project file in a Projects folder, create those folders inside the new ...

90th Oscars: The Visual Effects Nominees

January 26, 2018, 04:23 AM

https://www.awn.com/vfxworld/road-90th-oscars-visu...

Each year, here at Animation World Network, awards season marks the period on our calendar when we recognize and honor some of our industry’s most talented, dedicated and ground-breaking studios and artists responsible for the spectacular and breathtaking visuals created for feature films enjoyed around the world.

10 Things You Need When Editing Abroad

January 26, 2018, 04:23 AM

https://nofilmschool.com/2018/01/10-things-youll-n...

Traveling can be a hassle in and of itself, but if you're also going to be editing films or videos while on the road, the last thing you need is an editing setup that adds to the chaos. If your next editing project is taking you abroad, you'll probably want to cut down on as much weight and bulk as possible, but what kinds of gadgets and tools will help you do that? In this video, Simon Cade of DSLRguide shares ten items that you might want to take along with you when your next project takes you...

EditShare Heads to BVE 2018 with Award-Winning Sto

January 25, 2018, 07:59 PM

http://www.broadcastbeat.com/editshare-heads-to-bv...

EditShare, a technology leader in intelligent shared storage and media management solutions, for the first time at BVE 2018 will showcase its award-winning QUALES QC file verification and quality check solution while gearing up for a major announcement for the solution at the show. EditShare’s Soho-based team will be on hand to showcase its comprehensive ...

The Clay in Stop-Motion Animation at Aardman Studi

January 25, 2018, 07:59 PM

http://www.studiodaily.com/2018/01/clay-stop-motio...

Aardman Animations senior modelmaker Jay Smart shares his recipes for modeling clay with Adam Savage, showing him how food-processing machines are used to help get the color and consistency of the material just right. The post The Clay in Stop-Motion Animation at Aardman Studios appeared first on Studio Daily.

Film Editor Tatiana S. Riegel, ACE, Explains How I

January 25, 2018, 07:59 PM

http://www.studiodaily.com/2018/01/film-editor-tat...

As she sat down to chat with StudioDaily for the Podcasts from the Front Lines series, editor Tatiana S. Riegel, ACE, was only a few days away from an Academy Award nomination for her work cutting together Craig Gillespie’s new film, I, Tonya. Having no idea that honor was coming her way on the heels […] The post Film Editor Tatiana S. Riegel, ACE, Explains How I, Tonya Came Together appeared first on Studio Daily.

Introducing Avid Pro Tools 2018

January 25, 2018, 07:59 PM

http://www.avidblogs.com/introducing-pro-tools-201...

The article Introducing Avid Pro Tools 2018 by Jake Altschuler appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..

Genelec’s intros The Ones series of near-field m

January 25, 2018, 01:07 PM

http://postperspective.com/genelecs-intros-ones-se...

Genelec is now offering point source monitoring with The Ones series, featuring their established 8351 three-way monitor along with the new 8341 and 8331. These small three-way coaxial monitors are housed in enclosures no larger than a traditional two-way Genelec 8040 or 8030. This coaxial driver design provides accurate imaging and improved sound quality, Continue reading → January 25, 2018 The post Genelec’s intros The Ones series of near-field monitors appeared first on Randi Altman...

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