To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Emerging LA Filmmakers Create Short Films with Sma

January 25, 2018, 01:07 PM

http://www.fcp.co/final-cut-pro/articles/2034-emer...

MacBook Pro, Final Cut Pro X and the LA Film Community Boost Local Productions. A great FCPX user story that shows there really is no barrier to shooting and editing your own high quality film.

Editor Lizzy Graham joins NYC's Whitehouse Post

January 25, 2018, 10:29 AM

http://www.postmagazine.com/Press-Center/Daily-New...

NEW YORK CITY — Editorial company Whitehouse Post (www.whitehousepost.com) has added to its New York roster by bringing aboard editor Lizzy Graham. With over 15 years of editorial experience, Graham honed her craft in London at companies that include Marshall Street and Peepshow.

How to Replicate Cast Shadows In DaVinci Resolve

January 25, 2018, 10:29 AM

https://www.premiumbeat.com/blog/digitally-add-sha...

Even the most organized lighting setups can need tweaking in post. Find out how you can add (realistic) shadows to a composition using DaVinci Resolve.

Capturing Foley for Epix’s Berlin Station

January 25, 2018, 10:29 AM

http://postperspective.com/capturing-foley-epixs-b...

Now in its second season on Epix, the drama series Berlin Station centers on undercover agents, diplomats and whistleblowers inhabiting a shadow world inside the German capital. Working under the direction of series supervising sound editor Ruy Garcia, Westchester, New York-based Foley studio Alchemy Post Sound is providing Berlin Station with cinematic sound. Continue reading → January 25, 2018 The post Capturing Foley for Epix’s Berlin Station appeared first on Randi Altman's pos...

An Introduction to Working With VOPS in Houdini

January 25, 2018, 10:28 AM

http://lesterbanks.com/2018/01/introduction-workin...

Rohan Dalvi Takes a Look at VOPs & How to Use Them to Control Points CG Artist and Houdini Trainer Rohan Dalvi continue his tutorial series that aims to help new Houdini users get started The Post An Introduction to Working With VOPS in Houdini originally appeared and published on %%BLOGLINK%,by lesterbanks

The Last Jedi VFX supervisor on what Surprised him

January 25, 2018, 10:28 AM

https://vfxblog.com/2017/12/27/the-last-jedi-hyper...

In the coming days I’ll have a bunch of coverage of the visual effects of Star Wars: The Last Jedi, based on a visit I made to ILM London just before Christmas. First up is a look at that stunning and surprising hyperspace moment when Vice Admiral Amilyn Holdo (Laura Dern) slams the Raddus -…

Film Editors Cut Films During the Shooting

January 25, 2018, 10:28 AM

http://variety.com/2018/artisans/awards/suite-on-t...

When most people picture a film editor at work, they see someone in a dark, quiet room — illuminated only by multiple monitors — meticulously cutting together scenes that arrive from sets all over the world.

Hans Zimmer to Score X-Men: Dark Phoenix

January 25, 2018, 10:28 AM

http://collider.com/hans-zimmer-x-men-dark-phoenix...

Composer Hans Zimmer has been out of the superhero movie game for a few years now, but it appears he’s ready to come out of “retirement.” When he signed on to score Batman v Superman: Dawn of Justice, be brought on composer Junkie XL to ensure he wouldn’t be repeating his work from Christopher Nolan’s Batman trilogy. Additionally, he lent his talents to The Amazing Spider-Man 2 and Man of Steel, spending over a decade within the biggest genre around. But in March 2016, Zimmer said that...

ACE Awards Honor ‘Breaking Bad’s’ Vince Gill

January 25, 2018, 10:28 AM

http://variety.com/2018/artisans/awards/ace-awards...

When American Cinema Editors holds its annual ACE Eddie Awards event on Jan. 26 at the Beverly Hilton hotel, three distinguished industry figures will take the stage to accept their well-deserved honors.

Premiere Pro 12.0.1: VFR and New Features

January 25, 2018, 08:31 AM

http://www.premierebro.com/blog/premiere-pro-1201-...

SUPPORT FOR VARIABLE FRAME RATE, IMPROVEMENTS TO SHARED PROJECTS, AND OTHER GEMS IN THE 12.0.1 UPDATE FOR PREMIERE PRO CC. The 12.0.1 update for Premiere Pro CC 2018 adds support for Variable Frame Rate. But that's not all! In this post we break down all of the new features tucked away in this sweet little Premiere Pro update.

#editing#adobe#premiere pro#creative cloud#adobe premiere

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