It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 24, 2018, 02:01 PM
http://lesterbanks.com/2018/01/new-script-automate...
Color Control Automation Helps to Create and MAnage Color Controls in After Effects If you regularly work with large After Effects projects and would like a quick way to create and manage color controls, perhaps The Post New Script Automates Generating Color Controls in After Effects originally appeared and published on %%BLOGLINK%,by lesterbanks
January 24, 2018, 02:01 PM
http://renderplease.com/post/170079972310
I’m like:
January 24, 2018, 02:01 PM
https://roosterpost.wordpress.com/2018/01/24/edito...
The guy in the armor is back. Chris Parkins teams up with Untitled Films director Aleysa Young for an ‘Insure-vention’ on behalf of Sid Lee and Belair Direct. In the spot, an unsuspecting Dad learns how to save 20% by combining his insurance. Client: Belair Direct Title: Insure-vention Length: :60 Agency: Sid Lee Creative Director: Alexis […]
January 24, 2018, 02:01 PM
http://filmmakermagazine.com/104310-i-started-edit...
Sofia Subercaseaux readily admits to editing her first feature film with the aid of “tutorials on YouTube.” That film, Crystal Fairy & the Magical Cactus, went on to premiere at Sundance in 2013. She has since gone on to edit Nasty Baby, Christine and Dina – all of which debuted at Sundance in 2015, 2016 and 2017, respectively.
January 24, 2018, 02:01 PM
http://deadline.com/2018/01/dr-seuss-movies-warner...
Warner Animation Group has joined with Dr. Seuss Enterprises Lp in a partnership to producer multiple feature films based on the iconic characters and stories created by Dr. Seuss, aka Theodor Geisel. The team-up will begin with an animated version of The Cat in the Hat as development gets underway.
January 24, 2018, 10:21 AM
http://designingsound.org/2018/01/guido-helbling-m...
In March 2016, field recordist Guido Helbling made an ambitious trip to Myanmar, traveling hundreds of miles to 15 locations from southern Yangon to northern Hispaw all the way over to Sittwe and the Ngapali Beaches. To read about his trip (and some helpful tips) and to listen to the various sounds he recorded of […]
January 24, 2018, 10:20 AM
http://lesterbanks.com/2018/01/cake-c4d-better-bak...
Uwe Schweer-Lambers Looks at Using the Cake Bake Render Plugin Within Cinema 4D Motion Graphics Artist Uwe Schweer-Lambers, otherwise known as Equiloud, offers a quick look into using the Cake plugin for Cinema 4D. Cake The Post Cake Plugin for C4D Offers Better Bake Render Process originally appeared and published on %%BLOGLINK%,by lesterbanks
January 24, 2018, 10:20 AM
http://coatofarmspost.com/color-grading-paramores-...
We love to color correct, especially when the footage includes singer Hayley Williams and rock band Paramore. Performing live from the Monumentour in Chicago, Illinois on July 11, 2014, Paramore recorded a live video for their song “Last Hope.” With Director Michael Thelin‘s direction, Coat of Arms edited and color corrected the entire video. Color correction is [...]
January 24, 2018, 10:20 AM
https://journaldunemonteuse.wordpress.com/2018/01/...
En décembre 2016, Les Monteurs associés recevait Nora Meziani (doctorante et spécialiste de l’intuition) et Dominique Villain (monteuse et auteure de plusieurs livres sur le montage et sur le processus de travail dans la création cinématographique) pour une soirée intitulée … Lire la suite →
January 24, 2018, 10:20 AM
http://www.artofvfx.com/downsizing-stephane-naze-v...
A few weeks ago, Stephane Nazé explained to us in detail about the work of Framestore on DARKEST HOUR. He talks to us today about his work on DOWNSIZING.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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