It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 24, 2018, 10:20 AM
https://www.toolfarm.com/blog/entry/webinar_boris_...
Don’t miss this great opportunity to learn from Roto Supervisor, Clark Harding all about rotoscoping & clean-up with Mocha Pro in Nuke, on Thursday January 25, 2018 at 10am PST.
January 24, 2018, 10:19 AM
https://www.provideocoalition.com/g-drive-mobile-s...
There comes a time in every working filmmakers life where at the end of the day, they have to dump all the footage they shot onto a couple hard drives for delivery and backup. Quite often, this happens on-location or in the field, which is one of the reasons so many people have tried to perfect their backup strategy.
January 24, 2018, 06:35 AM
https://www.premiumbeat.com/blog/vr-comp-editor-36...
In this video tutorial, check out how you can use the VR Comp Editor in Adobe After Effects — including free 360° footage.
January 24, 2018, 06:35 AM
https://edaeditores.org/book-between-cuts-conversa...
Dear colleagues from all over the world, We, the Argentine Association of Audio-visuals Editors (EDA), are delightful to share with you the first release of our book “Between cuts. Conversations with Argentinian Editors“, published in 2016 in Spanish and now available in English. A work-in-progress translation made by the outstanding collaboration of some of our members with […]
January 24, 2018, 06:34 AM
http://www.fcp.co/final-cut-pro/articles/2032-ona-...
Following up on his article last week, Adam Schoales now posts about his latest project. This time it's a special cinema spot shot at 6K on a RED Helium and cut on Final Cut Pro X of course!
January 24, 2018, 06:33 AM
http://www.postmagazine.com/Post-Blog/2018/January...
LOS ANGELES - Nominations for the 90th Academy Awards were announced on Tueday, January 23rd, and pros from throughout the post production industry are giving thanks for the recognition. Here's a look at what nominees are saying about the recent honors. Montreal's Rodeo FX contributed to three films that are nominated in the Visual Effects category. The studio's work can be seen in Blade Runner: 2049; Kong: Skull Island; and Star Wars: The Last Jedi. ...
January 24, 2018, 06:33 AM
http://alex4d.com/notes/item/how-many-flicks-per-f...
Facebook’s Oculus division have defined a new unit of time says BBC News: The flick has been designed to help developers keep video effects in sync, according to a description on the code-sharing site GitHub. A flick, derived from "frame-tick", is 1/705,600,000 of a second - the next unit of time after a nanosecond. A researcher at Oxford University said the flick wouldn't have much general impact but may help create better virtual reality experiences. Although most people are n...
January 24, 2018, 06:33 AM
http://www.philiphodgetts.com/2018/01/the-growing-...
A simple indicator of the growing influence and impact of Artificial Intelligence and Machine Learning is the Hollywood Professional Association (party of SMPTE) inclusion of it in their annual retreat. For the 2016 Retreat I proposed a presentation on AI & ML that wasn’t deemed relevant at that time. For the 2017 Retreat I made […]
January 24, 2018, 06:33 AM
http://www.artofvfx.com/santa-cie-making-of-by-mik...
Have a look on the work of Mikros Image on the reindeers and the Champs Elysées for SANTA & CIE...
January 24, 2018, 06:33 AM
http://filmmakermagazine.com/104375-melba-robichau...
Brothers David and Nathan Zellner are a reliable presence at the Sundance Film Festival. Their films Baghead (2008), Goliath (2008), Kid-Thing (2012) and Kumiko, the Treasure Hunter (2014) have all premiered at Sundance. To that list they now add Damsel, their new comedy/western starring Robert Pattinson and Mia Wasikowska. Damsel editor Melba Robichaux spoke with Filmmaker before the film’s premiere about some of the key questions one asks during the process of editing a feature film.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.