To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

MacBreak Studio: Ep. 320 - Motion Title Trick

July 28, 2015, 07:52 AM

https://www.aotg.com/macbreak-studio-ep-320-motion-title-trick/

This week on MacBreak Studio, Mark is joined by special guest Alex Gollner (alex4d.com) who shares a very useful trick for creating a lower third text template for Final Cut Pro X, using Motion.

DE:Flicker for Premiere Pro - Best Practices

July 28, 2015, 07:51 AM

https://www.aotg.com/deflicker-for-premiere-pro-best-practices/

This tutorial covers the best practices and tips for using DE:Flicker in Premiere Pro to get the best results. This complements our other tutorials about specific features of the product that work the same in all applications.

iOS app replaces professional editor with algorith

July 27, 2015, 08:23 PM

http://alex4d.com/notes/item/ios-app-replaces-prof...

Triller is a music video app: …the app will then automatically edit your takes together using an algorithm that’s designed to emulate how a professional editor would cut a music video. Triller looks at the action in your footage, how much the camera itself is moving, and how many faces are detected in each shot to make its editorial decisions. It then cuts everything into tiny clips that are perfectly synced with the song you’ve chosen.

10 Films That Can Teach You Everything about Editi

July 27, 2015, 08:22 PM

http://www.tasteofcinema.com/2014/10-films-that-ca...

Editing is a selection process. Sometimes hundreds of hours of footage are captured, and we only end up seeing around two hours of it. It’s also a language that has rules. When done badly it can cause boredom or, even worse, confusion.

Blackmagic's DaVinci Resolve 12 Goes to Beta

July 27, 2015, 08:22 PM

http://www.animationmagazine.net/vfx/blackmagics-d...

Blackmagic Design has made available for public beta testing DaVinci Resolve 12. Customers are invited to download the pro editing and color corrections software from the company’s website. Blackmagic also announced new naming for the DaVinci Resolve product line, plus extra “secret” features not included in the original launch.

Adobe Media Encoder CC 2015 (9.0.1) bug-fix update

July 27, 2015, 04:31 PM

http://blogs.adobe.com/aftereffects/2015/07/adobe-...

The Adobe Media Encoder CC 2015 (13.5.1) bug-fix update is now available. You can install the update through the Creative Cloud desktop application, or you can check for new updates from within any Adobe application by choosing Help > Updates. For details of all of the other updates for Adobe professional video and audio applications, see this page. Please, if you want to ask questions about this update, come on over to the Adobe Media Encoder user-to-user forum, rather than leaving comme...

Media Asset Management for Broadcasters: New Resea

July 27, 2015, 04:31 PM

http://www.avidblogs.com/media-asset-management-fo...

The article Media Asset Management for Broadcasters: New Research as Global Leaders Weigh In by Kevin Usher appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..

Finishing for Broadcast with BCC for Avid & mocha

July 27, 2015, 04:29 PM

https://www.aotg.com/finishing-for-broadcast-with-bcc-for-avid-mocha/

Online editor and colorist, Tal Y, who is currently working on FOX’s summer reality competition hit “Bullseye,” guides you through the invisible art of image restoration – VFX that you don’t see – using footage from the show. Discover how he relies on Continuum Complete for Avid and mocha Pro to get the job done

Industry News You May Have Missed (July 2015)

July 27, 2015, 12:32 PM

http://www.premiumbeat.com/blog/industry-news-you-...

It's been an exciting week in the world of filmmaking and gear. Here are a few news stories you may have missed.

Pablo Barbieri (SAE) (EDA) recibió el Premio Plat

July 27, 2015, 12:32 PM

http://saeditores.org/Novedades/Pablo-Barbieri-SAE...

El 18 de julio pasado, la Entidad de Gestión de Derechos de los Productores Audiovisuales (EGEDA) y la Federación Iberoamericana de Productores Cinematográficos y Audiovisuales (FIPCA) entregaron en Marbella, España, los Premios Platino del Cine Iberoamericano a las obras cinematográficas estrenadas en 2014. El Premio Platino a la Mejor Dirección de Montaje fue para Pablo Barbieri (SAE) (EDA) y Damián Szifrón por Relatos salvajes (Damián Szifrón, 2014).

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