To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

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https://www.aotg.com/macbreak-studio-ep-319-fcpx-frame-i-o-workflow/

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https://www.aotg.com/mondays-our-new-look-scene-transitions/

Today, Ryan talks why we updated our look, scene transitions and Hitfilm 3 Express!

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http://www.provideocoalition.com/after-effects-hid...

The built-in 3D implementation in After Effects is nowhere near as deep as a dedicated 3D program. However, it does have a few good tricks up its sleeve. On is Adjustment Lights, where you can determine which layers receive a specific light. This is akin the lighting sets in more sophisticated 3D programs.

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NAME: Tim Stipan (@timstipan) COMPANY: Efilm (@EFILMDigitalLab) CAN YOU DESCRIBE Efilm? Efilm, a Deluxe company, is a feature film finishing house. We are a sister facility to Company 3, and that allows me access to a great wealth of knowledge. When I recently did something in UHD for the first time, I was able to call up CO3 senior colorist Stephen Nakamura, who is one of the few in the world who has experience in UHD, and ask him how he set everything up. WHAT’S YOUR JOB TITLE? S...

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