To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Master The Workflow Assistant Editor Course Review
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Can Master The Workflow teach you how to become an Assistant Feature Film Editor? Yes, absolutely.
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https://jonnyelwyn.co.uk/film-and-video-editing/ho...
What should you learn in a hurry if you need to become an assistant editor working on Avid Media Composer overnight? Something like this...
#assistant editing#avid media composer#assistant film editor#editing filmBranagh and Doyle on Composing for Midnight on OE
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http://www.aotg.com/index.php?page=cuttingroom_bon...
Gordon Burkell interviews Kenneth Branagh and Patrick Doyle about composing music and specifically composing the song Never Forget from the film Murder on the Orient Express. You can listen to the song below.
Transcript: Digital Production Buzz – December 2
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http://www.digitalproductionbuzz.com/2017/12/trans...
HOST Larry Jordan GUESTS Pat Grosswendt, Co-Founder, Senior Sales Specialist, Litepanels Bobby Finley III, TV/Film Lighting Consultant, VER Enhanced Environments Tama Berkeljon, Managing Director, Outsight Joel Lipton, Photographer/DP, Joel Lipton Studio James DeRuvo, Senior Writer, DoddleNEWS == Male Voiceover: The Digital Production Buzz is brought to you by KeyFlow Pro; media asset management software, designed to meet the needs of work groups at an affordable price.… The post...
AJA Ships Thunderbolt 3-Enabled Io 4K Plus
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http://www.studiodaily.com/2017/12/aja-ships-thund...
AJA shipped its first Thunderbolt 3 device, the Io 4K Plus. First announced at IBC, the Io 4K Plus supports 4K/UHD, HFR, and HDR workflow. Up to 12-bit 4:4:4 IO is supported via 12G-SDI or HDMI 2.0, with HFR support at up to 60p at 4:2:2. The inclusion of two Thunderbolt 3 ports means up to […] The post AJA Ships Thunderbolt 3-Enabled Io 4K Plus appeared first on Studio Daily.
Redshift: How to Combine Multiple Projections as N
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http://lesterbanks.com/2017/12/redshift-multiple-n...
Adrian Cruceru Shows How You Can Combine Multiple Normal Maps by Using More Than One UV Projection Redshift Rendering Technologies’ Technical Support Specialist, Adrian Cruceru shows how you can easily combine multiple normal maps when The Post Redshift: How to Combine Multiple Projections as Normal Maps originally appeared and published on %%BLOGLINK%,by lesterbanks
When everyone else gets to leave early except Post
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The article The Evolution of an Engineer: How Pro Tools Propels Mike Avenaim’s Career by Mike Avenaim appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
‘Lady Bird’ Composer Jon Brion On Pic’s Bitt
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http://deadline.com/2017/12/lady-bird-jon-brion-gr...
Approaching renowned composer Jon Brion for Lady Bird, her directorial debut, Greta Gerwig didn’t get into the specifics of his many memorable scores, or which of his works was particularly compelling to her. For Brion, this was a breath of fresh air.
Week in Premiere 12/22/17
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PREMIERE PRO WEEK IN REVIEW: How Boris FX Affects Effects in Premiere Pro • Interview With Billy Fox, ACE, Editor For Only the Brave • Use Mantra VR To Create Virtual Dolly Shot in Premiere Pro • FREE Zoom/Cut Transitions Preset for Premiere Pro
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