To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Art Of The Cut Podcast Eps. 64 (“The Broken Hear

September 10, 2020, 01:15 PM

https://www.provideocoalition.com/art-of-the-cut-p...

The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into your car, living room, editing suite and beyond. In each episode, Steve talks with editors ranging from emerging stars to Oscar and Emmy winners. Hear from the top editors of today about their careers, editing workflows [...]Read More...

The OTHER DaVinci Resolve keyboard that can be use

September 8, 2020, 01:36 PM

https://www.provideocoalition.com/the-other-davinc...

When the Blackmagic introduced the Resolve Editor Keyboard I was immediately intrigued by this unique tool purpose-built for editors. I tried to explain why while we were all still at NAB 2019. Once I got my hands on one for a proper review I still really liked what I saw and what BMD created. Did [...]Read More...

*De profesión, montajista*, por Julio di Risio

September 7, 2020, 02:52 PM

http://saeditores.org/Novedades/De-profesion-monta...

Compartimos un lúcido artículo escrito por nuestro querido compañero y socio fundador de la SAE Julio di Risio (1940-2020).

Sight, Sound & Story: Live “Making it Work: From

September 5, 2020, 01:35 PM

https://lappg.com/sight-sound-story-live-making-it...

When: SEPTEMBER 16, 2020 Time: 5PM EST / 2PM PST General Admission:  FREE!! Moderator: Sean Weiner (Jacob Burns Film Center, Director of Programs, Media Arts Lab) Speakers: Daysha Broadway (Insecure, A Black Lady Sketch Show, Surviving R. Kelly) & Deniese Davis (Insecure, A Black Lady Sketch Show, The Misadventures of Awkward Black Girl) Inside Episode […] The post Sight, Sound & Story: Live “Making it Work: From Editor to Producer” appeared first on lappg.

Sound Design for Film

September 4, 2020, 12:20 AM

https://www.filmcrux.com/blog/film-sound-design

Sound design is like color grading for your ears. If you’re a filmmaker and you’re trying to take your work to the next level, there are few skills more important to master than sound design. So whether you’re just starting out with sound design, you want to add some new tips and tricks to your utility belt, or you just want some killer sound design inspiration, we’ve got you covered. Bookmark this page to have everything you need for amazing sound design all in one place.

#post production#filmmaking#sound design#sfx
Last Call Uses DaVinci Resolve Studio

September 3, 2020, 03:17 PM

https://www.aotg.com/last-call-uses-davinci-resolve-studio/

Blackmagic Design announced today that the feature film “Last Call,” which was shot in two simultaneous 80 minute takes, was colored in DaVinci Resolve Studio by Colorist and Cinematographer Seth Wessel-Estes, who also used the DaVinci Resolve Micro Panel in his workflow.

#blackmagic design#davinci resolve studio#davinci resolve mini panel
Le montage, technique et esthétique #3

September 3, 2020, 01:07 PM

https://journaldunemonteuse.wordpress.com/2020/09/...

Chaque semaine, un extrait du livre Le montage, technique et esthétique. https://www.armand-colin.com/le-montage-technique-et-esthetique-fiction-documentaire-serie-nouvelles-ecritures-9782200627218 « Ce qui est beau au cinéma, ce sont les raccords, c’est par les joints que pénètre la poésie. » Robert Bresson Bon nombre d’outils, communs à l’écriture … Lire la suite →

Upcoming VFX and animation events - a super-quick

September 3, 2020, 01:05 PM

https://beforesandafters.com/2020/09/03/upcoming-v...

I just had a big week of checking out numerous SIGGRAPH 2020 presentations, and even hosting a few. And when I look ahead, it’s amazing to see how many online VFX and animation-related events are coming.

LOVECRAFT COUNTRY: Grant Walker - VFX Supervisor

September 1, 2020, 04:40 PM

https://www.artofvfx.com/lovecraft-country-grant-w...

Grant Walker began his career in visual effects in 2006 at The Mill. He then joined MPC in 2009 before joining Framestore in 2010.

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