To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Avid Online Learning — Media Composer: How to Re

August 22, 2020, 03:22 PM

https://www.youtube.com/watch?v=mDG2OUyvHBc

Join us live for the Avid Online Learning session — Media Composer: How to Remove a Color Cast. Check out our calendar to watch this and more live videos on https://avid.com/online-learning Follow Avid Media Composer: https://facebook.com/avidmediacomposer https://instagram.com/avid.mediacomposer https://twitter.com/mediacomposer https://www.linkedin.com/showcase/avid-media-composer https://www.snapchat.com/add/avidtechnology https://www.tiktok.com/@avidtechnology

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Avid NEXIS 2020 — Media-Workflow Optimized Stora

August 22, 2020, 03:22 PM

https://www.youtube.com/watch?v=AdHypoOSJPQ

Avid NEXIS is the media industry’s most comprehensive and reliable shared storage solution, offering efficient, scalable storage tiering on premises and in the cloud. ▶️ https://www.avid.com/nexis Follow Avid: https://facebook.com/avid https://instagram.com/avidtechnology https://twitter.com/avid https://www.linkedin.com/company/avid-technology https://www.snapchat.com/add/avidtechnology https://www.tiktok.com/@avidtechnology

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Call for equal sound credit from CAS, MPSE and AMP

August 22, 2020, 03:22 PM

https://postperspective.com/call-for-equal-sound-c...

The Cinema Audio Society recently joined together with the Motion Picture Sound Editors and the Association of Motion Picture Sound in sending an open letter to the entertainment industry regarding grouping together key sound professionals and positioning them in the credits in proximity with other key roles. “This is a multi-organizational effort by the overall sound community to change the culture of recognition towards the art and craft of sound for picture,” says CAS President Karol...

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Pandemic Post-Production: Cutting S2 of Amazon’s

August 22, 2020, 03:22 PM

https://www.productionhub.com/blog/post/pandemic-p...

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VFX Legion Launches Division in B.C.

August 21, 2020, 03:49 PM

https://www.aotg.com/vfx-legion-launches-division-in-b-c/

VFX Legion, a pioneering remote boutique-style global company, has opening of a division in British Columbia. An early proponent of the virtualization of visual effects, industry veteran James David Hattin launched the company in 2013, introducing a groundbreaking collaborative work-from-home business model almost a decade before COVID-19 made social distancing essential. Headquartered in LA, the company’s new Kelowna-based division takes its road-tested remote VFX services to the next level.

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#vfx#film#tv#remote#work-from-home#the new normal
Avid Online Learning — Maestro | Designer: Smart

August 21, 2020, 01:21 PM

https://www.youtube.com/watch?v=26yBrzAcdZc

Join us live for the Avid Online Learning session — Maestro | Designer: Smart Graphics. Check out our calendar to watch this and more live videos on https://www.avid.com/online-learning ▶️ https://www.avid.com/maestro-designer Follow Avid: https://facebook.com/avid https://instagram.com/avidtechnology https://twitter.com/avid https://www.linkedin.com/company/avid-technology https://www.snapchat.com/add/avidtechnology https://www.tiktok.com/@avidtechnology

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Walter Murch ACE : Coup 53

August 21, 2020, 01:21 PM

https://www.youtube.com/watch?v=ZgCBtxET1j0

Recorded live at the Oct. 2019 LACPUG Meet, Walter Murch ACE returned to give us a behind the scenes look at the documentary he co-wrote and edited, Coup 53. Walter also took questions from the audience. Ten years in the making, COUP 53 tells the story of the 1953 the Anglo-American coup d'état that overthrew Iran's government of Prime Minister Mohammad Mossadegh and re-installed the Shah. Directed by Taghi Amirani, co-written and edited by Walter Murch ACE, COUP 53 is a politically expl...

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Emmy-nominated Insecure editor Nena Erb, ACE

August 20, 2020, 01:21 PM

https://postperspective.com/emmy-nominated-insecur...

By Randi Altman Editor Nena Erb, ACE, has earned an Emmy-nominated for her work on the latest season of the HBO’s comedy/drama Insecure. She came on board in Season 3 and says returning for Season 4 was “like a big reunion with friends. I was excited to play a part in bringing new stories to life with this incredible team.” Continue reading → August 19, 2020 The post Emmy-nominated Insecure editor Nena Erb, ACE appeared first on postPerspective.

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A Color Theory Reading of Olivier Assayas' 'Irma V

August 20, 2020, 01:21 PM

https://filmschoolrejects.com/irma-vep-color-theor...

In our new column Color Code, Luke Hicks chooses a handful of shots from a favorite film and analyzes them in detail to draw out the meaning behind specific colors and how they play into their scene and the film as a whole. Inspecting color is like inspecting the soul of a film. It’s an endless endeavor to better understand the artists’ intentions and our connection to the work. For his second entry, Luke digs into Olivier Assayas’ Irma Vep.

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Le montage, technique et esthétique #1

August 20, 2020, 01:21 PM

https://journaldunemonteuse.wordpress.com/2020/08/...

Chaque semaine, un extrait du livre Le montage, technique et esthétique. https://www.armand-colin.com/le-montage-technique-et-esthetique-fiction-documentaire-serie-nouvelles-ecritures-9782200627218 AVANT-PROPOS « Je préférerais que l’on sente un film avant de le comprendre, les sens interviennent avant l’intelligence. » Robert Bresson L’art du montage est en perpétuelle évolution. … Lire la suite →

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