It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 1, 2020, 11:25 AM
https://lappg.com/meet-vfx-editor-richard-sanchez/
We had the pleasure of having Richard co-present at a LAPPG meeting early in 2020 (highlight video here) with his training series, “Master the Workflow” co-creator Lawrence Jordan, ACE. There they taught us about the role of the assistant editor. We wanted to delve a little deeper into Richard’s experience with his work as a […] The post Meet VFX Editor Richard Sanchez appeared first on lappg.
August 29, 2020, 05:51 PM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
“They say you can see the whole universe in opals.” — Howard Ratner ...
August 28, 2020, 12:50 PM
https://www.screeneditors.com.au/cutting-through-a...
AN INTERVIEW WITH EDITOR PAUL SWAIN Director Marc Furmie has begun a series of interviews with highly respected Australian film professionals working in Hollywood. Furmie will explore what it takes for Aussie directors, writers, actors, cinematographers, Editors and designers to make the leap from a local to a successful international career. Additionally he’ll share how […]
August 28, 2020, 12:50 PM
https://journaldunemonteuse.wordpress.com/2020/08/...
Chaque semaine, un extrait du livre Le montage, technique et esthétique. https://www.armand-colin.com/le-montage-technique-et-esthetique-fiction-documentaire-serie-nouvelles-ecritures-9782200627218 2. LES ÉTAPES AVANT ET APRÈS LA SALLE DE MONTAGE « Si mettre en scène est un regard, monter est un battement de cœur. » Jean-Luc Godard Où … Lire la suite →
August 27, 2020, 12:55 PM
https://www.screeneditors.com.au/edit-royale-2020/
Registrations are now open for the highly anticipated EDIT ROYALE 2020 - it’s Edit Royale, but not as you know it! This year we’ll be live and online. Details in the link. https://www.digistor.com.au/the-latest/events/ase-edit-royale-2020.html
August 27, 2020, 12:55 PM
https://postperspective.com/stranger-things-emmy-n...
By Michael Kross While Netflix’s addictive series Stranger Things awaits the start of production on Season 4, we reached out to two of the show’s Emmy-nominated re-recording mixers from Season 3, Will Files and Mark Paterson. We recently spoke to the other mixer, who is also a sound editor on the show, Continue reading → August 26, 2020 The post Stranger Things’ Emmy-nominated mixing team, Part 2 appeared first on postPerspective.
August 26, 2020, 04:57 PM
https://deadline.com/2020/08/watchmen-vfx-supervis...
On Watchmen, VFX supervisor Erik Henry was presented with a project of incredible ambition and scale, finding in the series the opportunity to bring myriad worlds and time periods to life, while offering a fresh take on an iconic comic book world.
August 25, 2020, 02:31 PM
https://www.aotg.com/chulalongkorn-university-uses-blackmagic-design/
Blackmagic Design today announced that Chulalongkorn University, Thailand’s largest university, is using a full Blackmagic Design production and post workflow for its online and streaming programs. This includes the use of ATEM 2 M/E Production Studio 4K, ATEM Mini Pro and DaVinci Resolve Studio to produce and share content, which also encompasses sharing content with schools throughout Thailand as part of the country’s Education Technology Program.
#blackmagic design#davinci resolve studio#davinci resolve mini panelAugust 25, 2020, 01:13 PM
https://beforesandafters.com/2020/08/25/perry-maso...
HBO’s Perry Mason re-boot is set in LA in the 1930s. This meant, of course, that several scenes needed the visual effects treatment to appear to be that period. Below, Digital Domain VFX supervisor Mitch Drain explains his studio’s work on that aspect of the show in augmenting street scenes, crafting a cable-car and fitting into the film noir look of the show.
August 24, 2020, 01:16 PM
https://beforesandafters.com/2020/08/24/go-inside-...
It feels like things are moving rapidly with virtual production. Inspired by the success of The Mandalorian (both from an audience point of view and in terms of its use of LED walls and real-time rendering techniques), several filmmakers and studios have been experimenting with the technology in a big way.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.