It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 18, 2017, 06:22 PM
http://lesterbanks.com/2017/12/splash-fx-pro-splas...
Brent Forrest’s Splash FX Pro Are 2D Animated Splashes in One Handy Maya Asset Animator Brent Forrest publishes a new asset for Maya that draws upon his years of experience creating FX. Splash FX Pro The Post Splash FX Pro is a New All-Purpose Water Splash Asset for Maya originally appeared and published on %%BLOGLINK%,by lesterbanks
December 18, 2017, 06:21 PM
http://lesterbanks.com/2017/12/guide-fibermesh-ani...
Technical Artist Benjamin Morgan Shares His Process for Converting FiberMesh Into a Maya Hair System Hair systems are everywhere. Even though Maya has a few methods for creating hair such as xGen and nHair, you The Post A Guide For Using FiberMesh in Animation Production originally appeared and published on %%BLOGLINK%,by lesterbanks
December 18, 2017, 06:21 PM
http://www.fcp.co/final-cut-pro/news/2027-some-of-...
Completely inspired by a great thread on our popular Forum, we take a quick look at some of the lesser-known, but still important new features and improvements in the FCPX 10.4 update. You did know you could do GIFs from the timeline didn't you?
December 18, 2017, 06:21 PM
http://www.avidblogs.com/avid-captures-the-action-...
The article Avid Captures the Action for Icelandic Broadcaster RÚV by Keri Middleton appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
December 18, 2017, 06:21 PM
https://www.prosoundeffects.com/blog/how-sound-des...
Discover how Ryan Billia creates with the Hybrid Library in his one-stop audio post facility. Pro Sound Effects spent a day with sound designer Ryan Billia in his Rumble Audio studio in Brooklyn, NY to capture his creative process and approach to film sound. As the owner of a multi-service ... The post How sound designers use the Hybrid Library for indie film projects appeared first on Pro Sound Effects Library.
December 18, 2017, 06:21 PM
http://moviecitynews.com/2017/12/10-visual-effects...
The Academy of Motion Picture Arts and Sciences today announced that 10 films remain in the running in the Visual Effects category for the 90th Academy Awards.
December 18, 2017, 06:20 PM
https://9to5mac.com/2017/12/18/final-cut-pro-10-4-...
Final Cut 10.4 was released last Thursday alongside the new iMac Pro, and as we elaborated on in our hands-on walkthrough, it’s a huge update with tons of new features and enhancements.
December 18, 2017, 06:20 PM
http://www.cartoonbrew.com/awards/2018-vfx-academy...
The shortlisted films, determined by the Academy’s visual effects branch executive committee, are:
December 18, 2017, 11:41 AM
https://www.aotg.com/davinci-resolve-studio-delivers-corona-extra-spot/
Blackmagic Design has today announced that its DaVinci Resolve Studio 14 was used to complete picture post, including the edit and grade, on a new commercial for Corona Extra, developed by the creative agency, Leo Burnett, in Mexico and lensed by director of photography Filippo Chiesa.
#editing#color grading#post production#color correctionDecember 18, 2017, 05:49 AM
https://www.premiumbeat.com/blog/blinking-eye-tran...
Some projects leave more room for creativity than others. If you're looking for some out-of-the-box elements, check out this blinking eye transition.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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