To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

How to Create Custom Effects in Apple Motion for A

February 1, 2021, 01:46 PM

https://www.youtube.com/watch?v=nI_aBJU1gzg

https://larryjordan.com "How to Create Custom Effects in Apple Motion for Apple Final Cut Pro" is an excerpt from a recent PowerUp webinar - "Introduction to Apple Motion 5.5" - presented by Larry Jordan. You don't need to be an incredible artist - or a programmer - to create interesting and useful effects using Apple Motion. In this short video training, Larry Jordan shows how to create a custom effect in Motion for use in Apple Final Cut Pro. View the entire webinar here: http...

Useful Tools for Editors: Welcome 2021 Edition

February 1, 2021, 01:46 PM

https://www.provideocoalition.com/useful-tools-for...

Here we are a year into the pandemic. I don’t know what that has to do with Useful Tools for Editors but I thought I would say it anyway because here we are a year (or more really) into the pandemic so it seems like something you say. Some are working virtually, some are working [...]Read More...

Comparing the Performances of Premiere Pro vs. Fin

January 30, 2021, 01:18 PM

https://www.premiumbeat.com/blog/premiere-pro-vs-f...

Let's compare these two pieces of editing software—Premiere Pro and Final Cut Pro X—in five different areas of performance.

Native Tongue Music

January 30, 2021, 01:18 PM

https://www.screeneditors.com.au/native-tongue-mus...

Native Tongue is one of Australasia’s largest independent music publishers. Our hands-on teams in Melbourne, Sydney & Auckland connect the music & talent of our songwriters, artists and screen composers with audio visual content creatives. We have the advantage of being a flexible, stand-alone company with a huge local & international roster of commercially released […]

Avid Online Learning — Media Composer: Titler+

January 30, 2021, 01:17 PM

https://www.youtube.com/watch?v=M2J8gz_CISo

With an Emphasis on Media Composer 2020.12, Marianne will show you tips for getting the most out of Titler+

Chau 2020

January 30, 2021, 01:17 PM

http://saeditores.org/Novedades/Chau-2020

El domingo 13 de diciembre lxs socixs de SAE celebramos los 8 años de nuestra querida asociación y despedimos el 2020 en un entretenidisimo brindis virtual, donde el equipo completo de edición de la serie documental “Carmel” (Netflix) compartió sus experiencias en el proyecto, atendiendo las preguntas entusiastas de lxs participantes.

Remote post-production in Brazil

January 30, 2021, 01:17 PM

https://www.productionhub.com/blog/post/remote-pos...

They say necessity is the mother of invention. This year is a case in point. Social distancing and widespread lockdowns during the coronavirus pandemic have fast-tracked a global digital transformation. Billions of people have found new ways to work remotely and connect with each other. In the audiovisual industry, productions have found new ways to continue, facilitated by live streaming, virtual production tools and video conferencing technology, not to mention super-fast connectivity than...

Editing MLK/FBI with Laura Tomaselli

January 30, 2021, 01:16 PM

https://www.provideocoalition.com/editing-mlk-fbi-...

Recently I was given the opportunity to interview editor Laura Tomaselli about her fantastic work on the new documentary MLK/FBI directed by Sam Pollard. What follows is the transcript of that conversation, lightly edited for clarity (no one wants to read me say “um” 40 times). Essentially the entire doc is made of archival footage. [...]Read More...

Teradek Vidiu X: a new all-in-one hardware encoder

January 30, 2021, 01:16 PM

https://www.provideocoalition.com/teradek-vidiu-x-...

Teradek launches Vidiu X: a powerful HD streaming encoder solution for live streaming videographers and content creators, so you can get professional live streaming video without a production studio. The invitation is clear: go live anywhere — in 1080p and in a matter of seconds. With HDMI video connectivity, Vidiu X integrates seamlessly with cameras [...]Read More...

Using the Pick Whip for Motion Graphics in Adobe A

January 29, 2021, 01:43 PM

https://www.premiumbeat.com/blog/pick-whip-adobe-a...

The Pick Whip is a motion graphics game-changing tool in Adobe After Effects. Let’s explore what it does and how to use it.

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