It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 15, 2015, 04:33 PM
http://tracking.feedpress.it/link/9766/1262149
It’s a great question. It’s because Titler Pro 4 was designed by you. No really. We used your feedback to make our best titling tool yet. You asked for improved performance. You asked for a better workflow. You asked for more features. And we delivered.
June 15, 2015, 04:33 PM
http://www.4kshooters.net/2015/06/16/create-stunni...
High-quality titling is a small, yet significant aspect of every production. Well executed titles and credits can give your videos a finished professional look and set your work apart from your competition. On the other hand, it’s always challenging to deliver the best possible quality along with keeping attention to even the smallest details, especially when working on a commercial project with a tight deadline.
June 15, 2015, 04:32 PM
https://library.creativecow.net/wall_kylee/custome...
No matter how you get into post production — a lifelong love of movies, an accidental college experiment, or something in between — you have certain…expectations about the career. Before you get sucked too far down the rabbit hole, it seems like a nice, quiet, solitary job with minimal human interaction that relies heavily on your technical abilities.
June 15, 2015, 12:42 PM
http://www.screeneditors.com.au/postinsiders-event...
Postinsiders event, Brisbane QLD @Cutting Edge
June 15, 2015, 12:41 PM
http://www.provideocoalition.com/after-effects-hid...
Some effects - usually those in the Distortion category - will try to create new pixels in After Effects that should appear beyond the layer’s original boundaries. Sometimes, it’ll be okay - but sometimes, they’ll get clipped off by the layer’s boundaries:
June 15, 2015, 12:41 PM
http://saeditores.org/Novedades/La-ultima-palabra-...
Segunda parte de la mesa La última palabra: Reescrituras en la sala de montaje, organizada por SAE y EDA en el marco del 17° Festival Internacional de Cine de Buenos Aires (BAFICI). Con la participación de Loli Moriconi (EDA) y Alejandro Carrillo Penovi (SAE) como expositores, y Alberto Ponce (SAE) en el rol del moderador.En esta segunda entrega, Alejando Carrillo Penovi (SAE) desarrolla una versión del “viaje del héroe” de Joseph Campbell como alegoría del proceso de montaje e ilu...
June 15, 2015, 12:41 PM
http://renderplease.com/post/121594871030
I’m like:
June 15, 2015, 12:41 PM
http://www.fastcompany.com/user/tina-seelig
A fascinating article writen by Tina Seelig on how a change of perspective can open doors to a new approach. The challenge for many is recognising there are other doors behind which exist alternative […]
June 15, 2015, 12:40 PM
http://www.screeneditors.com.au/event-pitch-battle...
June 15, 2015, 12:38 PM
https://www.aotg.com/how-do-we-measure-an-audience-2/
The success of a film or video is often judged on the size of the audience - but how do we measure that audience? - It's not always as simple as counting tickets. In this lesson we look at the techniques and methods studios and distributors use to calculate who has seen their products and try to make sense of all those Box Office Numbers and Ratings.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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