It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 23, 2017, 12:21 PM
https://nofilmschool.com/2017/12/indie-film-weekly...
This episode of Indie Film Weekly laments the doomed fate of Net Neutrality and the 600mhz band.
November 23, 2017, 10:21 AM
http://lesterbanks.com/2017/11/local-hero-localize...
Zack Lovatt’s new Local Hero Can Save the Day by Migrating Assets to Your Local Workstation Working at a studio sometimes means also working with a host of network assets. Server-based assets can be suitable The Post Local Hero Can Easily Localize After Effects Assets originally appeared and published on %%BLOGLINK%,by lesterbanks
November 23, 2017, 10:20 AM
http://lesterbanks.com/2017/11/animating-cat-duik-...
Watch How Chris Koelsch Animated a Cat in After Effects using DUIK for Rigging and Joysticks ‘n Sliders Animator and Illustrator Chris Koelsch often will pull the curtains back from his process of rigging and The Post Animating a Cat With DUIK, Joysticks ‘n Sliders originally appeared and published on %%BLOGLINK%,by lesterbanks
November 23, 2017, 06:47 AM
http://saeditores.org/Novedades/El-puto-inolvidabl...
Una síntesis personal de la edición por sus artífices.
November 23, 2017, 06:46 AM
http://www.avidblogs.com/the-a-list-nancy-forner-a...
The article The A-List — Nancy Forner, ACE, Associate Professor of Cinema Practice at USC by Avid appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
November 22, 2017, 06:47 PM
http://www.postmagazine.com/Press-Center/Daily-New...
OXFORD, UK – In Marvel Studios’ latest blockbuster, Thor: Ragnarok, an electrified god of thunder fights off an army of undead soldiers high above the waters on the narrow Rainbow Bridge, as the citizens of Asgard watch on in fear. The scene is a highlight of the movie, but also a complicated one, as the script called for dozens of characters to be onscreen at once.
November 22, 2017, 06:46 PM
https://nofilmschool.com/2017/11/shooting-edit-how...
We all know filmmaking takes a lot of planning and preparation, including coming up with a shot list to make principal photography less confusing. But even if you're a run-and-gun shooter who doesn't have a whole lot of time to carefully plan every shot before you shoot it, you can still not only keep your production on the right track but also get the shots you need to make your final edit more dynamic and entertaining. Jordy Vandeput of Cinecom shows you how in the video below.
November 22, 2017, 12:42 PM
http://postperspective.com/blade-runner-2049s-dyna...
By Jennifer Walden “This film has more dynamic range than any movie we’ve ever mixed,” explains re-recording mixer Doug Hemphill of the Blade Runner 2049 soundtrack. He and re-recording mixer Ron Bartlett worked with director Denis Villeneuve to make sure the audio matched the visual look of the film. Continue reading → November 22, 2017 The post Blade Runner 2049’s ‘dynamic’ and emotional mix appeared first on Randi Altman's postPerspective.
November 22, 2017, 12:42 PM
http://feeds.redgiantsoftware.com/~r/redroomblog/~...
Folks – Don’t fall victim to Black Friday or Cyber Monday! Save your money… for just a little while longer. On Tuesday, December 5, 2017, we are having our Red Giant Year End Sale. We’re also giving away a TON OF PRIZES leading up to the sale. Here’s what you need to know: The post SALE: Our 40%-Off Sale is Coming Dec. 5! appeared first on Red Giant.
November 22, 2017, 12:41 PM
http://lesterbanks.com/2017/11/aes-layer-manager-g...
Tony Pinkevych’s Layer Manager Grows Into an Extension With a New UI & a New Engine Looking for a better way to manage the many layers you have After Effects? You are not alone. In The Post Ae’s Layer Manager Gets Support for Drag and Drop originally appeared and published on %%BLOGLINK%,by lesterbanks
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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