To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Write-Down

June 11, 2015, 04:49 AM

http://animationguildblog.blogspot.ca/2015/06/writ...

... Sources say Tomorrowland will lose $120 million to $140 million by the time it finishes its global rollout, becoming Disney's first major financial misfire since The Lone Ranger prompted a $190 mil­lion write-down two summers ago.

Kinetic Energy to Kinetic Typography

June 10, 2015, 04:14 PM

http://www.sternfx.com/blog/index.php/06-2015/kine...

In this tutorial I’ll show you how to create a short commercial for a fictional wind energy company by integrating type into a spinning wind turbine. We’ll use the spinning blades of the turbine to reveal the message and then “wipe” it away. To make it more energetic, we’ll also explode the text to tiny pieces with the help of the CC Pixel Polly effect.

8 of the Best Free Resources for Adobe Premiere Pr

June 10, 2015, 02:52 PM

http://tracking.feedpress.it/link/9766/1238068

Adobe Premiere Pro has a rich legacy dating back to its release in 1991. Today, Adobe Premiere Pro has gained steam in some of the biggest markets including television and feature films. More recently, it was used in the high-grossing film, Gone Girl, and before that in Captain Abu Raed and Monsters. How has Adobe Premiere Pro continued to push the creative boundaries of the post-production industry for over 20 plus years? Innovation.

Blackmagic offers upgrade to DeckLink 4K Extreme c

June 10, 2015, 11:01 AM

http://www.postmagazine.com/Press-Center/Daily-New...

FREMONT, CA — Blackmagic Design (www.blackmagicdesign.com) has released DeckLink 4K Extreme 12G - Quad SDI, a new mezzanine card that allows pros to connect older Ultra HD and 4K equipment that use quad link 3G-SDI connections to their computer through their existing DeckLink 4K Extreme 12G video capture and playback card. The DeckLink 4K Extreme 12G - Quad SDI mezzanine card is available for $75 from Blackmagic Design re-sellers worldwide.

Mick Audsley’s Editing Masterclass in Milan was

June 10, 2015, 11:00 AM

http://www.avidblogs.com/mick-audsley-editing-mast...

The article Mick Audsley’s Editing Masterclass in Milan was Packed with Students and Pros. Here’s What You Missed. by Wim Van den Broeck appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..

Michael Kahn, ACE, Discusses the Effectiveness of

June 10, 2015, 11:00 AM

http://manhattaneditworkshop.blogspot.com/2015/06/...

Manhattan Edit Workshop presents: Sight, Sound & Story - Michael Kahn, ACE on “Lincoln.” From Sight, Sound & Story - June 14th, 2014. For more information on "Sight, Sound & Story" go to www.SightSoundandStory.com.

Premiere Premiere Pro CC 2015 Preview

June 10, 2015, 10:59 AM

http://mediastorm.com/blog/2015/06/10/premiere-pre...

This article is part of a series of posts with tips and tricks from our producers’ experience working with Adobe Premiere Pro CC after years of working in Final Cut Pro. To read more about why we made the switch, check out this post.

Avid Media Composer 101, Part 7: Bin Settings

June 10, 2015, 10:58 AM

http://news.doddleme.com/blogs/post-production/avi...

In Avid Media Composer, Bins are at the core of your workflow. Moreso then in other NLE’s. Bins in Adobe Premiere Pro are infused in the project. Want to send someone your sequence bin? You have to send them your whole project. In Avid Media Composer, the project is simply a folder that holds all the individual bins, so you have access to them, plus send them to other editors, separately.

DaVinci Resolve 12 - Multi-Cam Editing

June 10, 2015, 10:58 AM

https://www.aotg.com/davinci-resolve-12-multi-cam-editing/

Multi-cam editing in DaVinci Resolve 12 lets editors quickly cut programs while playing back multiple sources in real time. You can synchronize camera angles based on timecode, in/out points or even automatically based on audio waveforms!

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