To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Redshift Renderer - Eps. 106

November 21, 2017, 06:03 AM

http://www.allanmckay.com/106/

This is Allan McKay. Welcome to Episode 106! I’m speaking with Nicolas Burtnyk, Co-Founder and CEO of Redshift, and Rob Slater, Co-Founder and Vice President of Engineering.

LA SAE entregará el Premio a la Trayectoria a Jua

November 20, 2017, 06:43 PM

http://saeditores.org/Novedades/LA-SAE-entregara-e...

En el marco del 32˚ Festival Internacional de Cine de Mar del Plata, la SAE organizará una Entrevista abierta a Juan Carlos Macías (SAE), socio fundador de la asociación y uno de sus máximos referentes. Además, luego de la charla Macías recibirá el Premio SAE a la Trayectoria.

Generate centre-cutout guides for ARRI shoots usin

November 20, 2017, 06:43 PM

http://alex4d.com/notes/item/4k-centre-cutout-guid...

The highest resolution most feature films and high-end TV shows need to be delivered in is 4K - 4096 by 2304. That doesn't mean there aren't benefits to shooting at higher resolutions.  The advantage of using cameras such as the ARRI 65 is that 6K allows for reframing in post. The camera operator can shoot with a very loose frame knowing that editors can choose which part of the 6K frame to include in the 4K master. Also VFX can benefit from the pixels from outside the visible frame. In...

‘Mudbound’: Editing Dee Rees’ WWII Epic Was

November 20, 2017, 06:42 PM

http://www.indiewire.com/2017/11/mudbound-editing-...

Race and poverty intertwine in director Dee Rees’ powerful Oscar contender, “Mudbound” — a potential game changer for Netflix. But Rees and her “Pariah” editor Mako Kamitsuna decided early on that their sprawling movie about a black and white family in the 1940s Mississippi Delta was getting lost in the interlocking narratives. They needed to find the connective tissue that united them in their struggle for the American Dream.

HPA Awards Announce 2017 Winners

November 20, 2017, 04:33 PM

http://www.hollywoodprofessionalassociation.com/?p...

The Hollywood Professional Association (HPA) bestowed the 2017 HPA Awards tonight, during a sold-out gala celebration at the Skirball Cultural Center in Los Angeles. The HPA Awards have become the banner awards ceremony for the professional media content, recognizing individuals and companies for outstanding contributions made in the creation of feature films, television, commercials, and entertainment content enjoyed around the world.

#editing#vfx#color grading#hpa awards#hpa#sound
Animating XGen Hair in a Production Pipeline

November 20, 2017, 02:29 PM

http://lesterbanks.com/2017/11/animating-xgen-hair...

Derek Flood Takes Us Through the Process for Animating Maya’s XGen Hair Within a Production Pipeline 3D Artist and Instructor, Derek Flood provides some insights into the start-to-finish workflow for working with hair created by The Post Animating XGen Hair in a Production Pipeline originally appeared and published on %%BLOGLINK%,by lesterbanks

UTÖKA, A Concept thru Post Creative Agency, Opens

November 20, 2017, 01:48 PM

https://www.aotg.com/utoka-a-concept-thru-post-creative-agency-opens/

UTÖKA, an Atlanta-based creative agency, has opened its doors. The end-to-end company brings a deep understanding of the nuances of a brand’s culture and goals to its approach to developing strategic visual concepts that guide its team through the production and post-production process.

#editing#cgi#finishing#design#motion graphics#visual#utoka#ed dye#michael zarrillo#concept
Trim-Pack Lets You Add Trim Path Animation in a Cl

November 20, 2017, 12:11 PM

http://lesterbanks.com/2017/11/trim-pack-trim-path...

Olaola Yuan’s Trim-Pack for After Effects Lets You Add Trim Paths and Animation in One Click Shape Layer animation in After Effects is a double-edged sword —Both powerful and frustrating. So it is no wonder The Post Trim-Pack Lets You Add Trim Path Animation in a Click originally appeared and published on %%BLOGLINK%,by lesterbanks

[32] MDQ: Nominados a Mejor Montaje – “Les Gar

November 20, 2017, 12:11 PM

https://edaeditores.org/32-mdq-nominados-a-mejor-m...

Marie Julie Maille, editora de Les Gardiennes del director Xavier Beauvois, es una de las nominadas al premio al Mejor Montaje de películas en Competencia Internacional que otorgará EDA en la 32ª edición del Festival Internacional de Cine de Mar del Plata. Sobre su trabajo en la película, nos dice: “Mi colaboración con el cineasta Xavier […]

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