To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Editing Case Study – Vaga Heroica

November 20, 2017, 05:34 AM

http://www.creativeimpatience.com/editing-case-stu...

Since I have had such a great time this year working on 48 Hour Film Project, I decided to follow through and guide you over the actual editing process of this short movie. If you have not yet read my 48 HFP Experience article, I encourage you to do so. This … see more →

Sunday Sound Thought #96: Juicy

November 20, 2017, 05:34 AM

http://designingsound.org/2017/11/sunday-sound-tho...

Feedback is a pretty big part of what sound does. But despite that, we’re not often taught interaction design during our training as composers or sound designers. A big part of designing an interactive experience is deciding what kind of feedback you want to give for each interaction opportunity. Do you want to encourage or discourage an […]

[32] MDQ: Nominados a Mejor Montaje – “Good Lu

November 20, 2017, 05:34 AM

https://edaeditores.org/32-mdq-nominados-a-mejor-m...

Maja Tennstedt co-editó junto al director Ben Russell la película Good Luck y ambos están nominados al Premio al Mejor Montaje de películas en Competencia Internacional que otorgará EDA en la 32ª edición del Festival Internacional de Cine de Mar del Plata. Maja y Ben nos cuentan cómo fue el proceso de edición de la película: […]

Building Character with Thor

November 20, 2017, 05:34 AM

https://www.fxguide.com/featured/building-characte...

In New Zealand Director Taika Waititi's blockbuster film Thor: Ragnarok, a huge range of characters tell the story of Thor's battle to save his people. In this piece we speak to ILM, Framestore, Luma, Method Studios and Double Negative about their work, with a special focus on rigging.

9:16, 1:1, 1:2, 4:5… (Social) Media aspect ratio

November 19, 2017, 07:54 AM

http://alex4d.com/notes/item/social-media-aspect-r...

Many experienced film makers decry vertical and square video. The fact is, millions of people watch stories that way on their personal devices. Facebook is now not just ‘social media’ - it is ‘media.’ 20 years ago editors started to deal with other aspect ratios than 4:3. Here's the specifications from Facebook on the various aspect ratios their platforms work with: View in new window or see PDF on Facebook site. If you aren’t working in non-16:9 now, you will soon, or at th...

FractureFX: How To Detail Fragments With Shading &

November 18, 2017, 02:14 PM

http://lesterbanks.com/2017/11/fracturefx-fragment...

Learn the Fundamentals for Shading and Displacing Fragments When Working With FractureFX in Maya The FractureFX Team post a look at hoe to detail fragments when working with the popular demolition plugin solution for Autodesk The Post FractureFX: How To Detail Fragments With Shading & Displacements originally appeared and published on %%BLOGLINK%,by lesterbanks

[32] MDQ: NOMINADOS A MEJOR MONTAJE – RAMIRO

November 18, 2017, 02:14 PM

https://edaeditores.org/32-mdq-nominados-a-mejor-m...

Pedro Filipe Marques, editor de la película RAMIRO, nos cuenta su perspectiva sobre el montaje en general y cómo fue editar esta película en particular, nominada al Premio al Mejor Montaje de películas en Competencia Internacional que otorgará EDA en la 32ª edición del Festival Internacional de Cine de Mar del Plata. Pedro nos cuenta sobre el proceso de montaje: “Siendo la tercera película […]

A Good Introduction to Lighting in Redshift C4D

November 18, 2017, 02:14 PM

http://lesterbanks.com/2017/11/good-introduction-l...

Merk Vilson Helps New Redshift C4D Users Get Up to Speed With Lighting With the GPU Renderer Just getting started with Redshift C4D? Have a look at this 15-minute walkthrough by Merk Vilson and James The Post A Good Introduction to Lighting in Redshift C4D originally appeared and published on %%BLOGLINK%,by lesterbanks

Charla “El rol del montajista en un film” en e

November 18, 2017, 08:36 AM

https://edaeditores.org/charla-el-rol-del-montajis...

En el marco del Festival Internacional de Cine de Mar del Plata, el sábado 25 a las 17hs en el Salón Recova – Gran Hotel Provincial, los invitamos a la charla organizada por EDA: “El rol del montajista en un film” a cargo de Pablo Barbieri (EDA/SAE), miembro de las Academias de las Artes y […]

EDA entregará Premio a Mejor Montaje Internaciona

November 18, 2017, 08:36 AM

https://edaeditores.org/eda-entregara-un-premio-a-...

Con mucho orgullo anunciamos que EDA entregará el Premio a Mejor Montaje de largometrajes en la Competencia Internacional del Festival Internacional de Cine de Mar del Plata. El jurado es de composición internacional y está integrado por los destacados montajistas Pablo Barbieri (EDA/SAE) de Argentina, Irene Blecua de España y Jordana Berg (EDT) de Brasil. […]

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