To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Transcript: Digital Production Buzz – November 1

November 18, 2017, 08:36 AM

http://www.digitalproductionbuzz.com/2017/11/trans...

HOST Larry Jordan GUESTS Jonathan Handel, Entertainment/Technology Attorney & Labor Reporter, TroyGould and The Hollywood Reporter Philip Hodgetts, President, Lumberjack System Randi Altman, Editor-in-Chief, postPerspective Michael Kammes, Director of Technology, Key Code Media Sam Bogoch, CEO, Axle Video James DeRuvo, Senior Writer, DoddleNEWS == Announcer:  The Digital Production Buzz is brought to you by KeyFlow Pro, media asset management software, designed to meet the needs...

Dash is the Fastest Way to Perform Channel Box Ope

November 18, 2017, 08:36 AM

http://lesterbanks.com/2017/11/dash-channel-box-op...

Dash in Maya is a Powerful Way to Apply Math to Channel Box Operations and Values Autodesk’s Steven Rosell gives a view into using Dash in Maya 2018. Initially a brainchild of the MASH team, The Post Dash is the Fastest Way to Perform Channel Box Operations originally appeared and published on %%BLOGLINK%,by lesterbanks

Why Blockbusters Are Spectacularly Boring

November 18, 2017, 08:36 AM

https://www.aotg.com/why-blockbusters-are-spectacularly-boring/

Most Super Heroe Movies and Action Blockbusters struggle with a compelling narrative. But some don't, here is scientifically why.

Conociendo al Jurado internacional del Premio EDA

November 18, 2017, 08:36 AM

https://edaeditores.org/conociendo-al-jurado-inter...

EDA entregará el Premio a Mejor Montaje de largometrajes en la Competencia Internacional del 32 Festival Internacional de Cine de Mar del Plata​. Les presentamos al jurado internacional conformado por los siguientes destacados montajistas: Jordana Berg (edt.rio) nació en Río de Janeiro en 1963 y es una de las referentes en el montaje de cine […]

Socios y socias de EDA en el 32 Festival de Cine d

November 18, 2017, 08:35 AM

https://edaeditores.org/socios-y-socias-de-eda-en-...

El 17 de noviembre comenzó el 32 Festival Internacional de Cine de Mar del Plata y queremos compartir los trabajos de socios y socias de EDA que serán parte del gran evento cinematográfico del año con los proyectos que integran la programación. COMPETENCIA LATINOAMERICANA CRISTINA CARRASCO (EDA) /ANDREA CHIGNOLI (EDA) “La Familia” de Gustavo Rondón Córdova ANDREA KLEINMAN (SAE/EDA) /JULIA […]

EditReady 2.1.2 Released

November 18, 2017, 08:35 AM

https://www.divergentmedia.com/blog/editready-2-1-...

We’ve done a major rewrite of our colorspace handling. You should see better fallbacks for non-traditional colorspace combinations (such as DSLRs shooting rec709 with 601 primaries), and newer wide color and HDR formats. If you are mid production, you may want to confirm that newly transcoded footage matches footage from prior releases of ER before moving to this release.

Making of Thor: Ragnarok by Weta Workshop

November 18, 2017, 08:35 AM

http://www.cgmeetup.net/home/making-of-thor-ragnar...

Weta Workshop – The latest film in the Marvel universe has Kiwi blood running through its veins! New Zealand’s Weta Workshop manufactured hyper-stylised armour and weapons for Thor: Ragnarok.

La SAE entregará el Premio al Mejor Montaje en el

November 17, 2017, 06:49 PM

http://saeditores.org/Novedades/La-SAE-entregara-e...

Por quinto año consecutivo, la SAE entregará el Premio al Mejor Montaje de Película Argentina en Competencia en el marco del 32º Festival Internacional de Cine de Mar del Plata, que se llevará a cabo entre el 17 y el 26 de noviembre.El jurado, integrado por Pablo Mari (SAE), Alejandro Carrillo Penovi (SAE) y Valeria Otheguy (SAE) elegirá al ganador entre los largometrajes argentinos participantes de las Competencias Internacional, Latinoamericana y Argentina.

Avid Media Composer | First

November 17, 2017, 06:49 PM

https://digitalfilms.wordpress.com/2017/11/17/avid...

They’ve teased us for two years, but now it’s finally out. Avid Technology has released its free nonlinear editing application, Media Composer | First. This is not dumbed-down, teaser software, but rather a partially-restricted version of the full-fledged Media Composer software and built upon the same code. With that comes an inherent level of complexity, […]

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