To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Kevin Tent, ACE, on directorial debut Crash Pad, e

November 15, 2017, 05:37 PM

http://postperspective.com/kevin-tent-ace-director...

By Randi Altman To say that Kevin Tent, ACE, is a prolific editor is in no way hyperbole. He has cut some of the most celebrated films of the last few years as a frequent collaborator of director Alexander Payne. They worked together on seven films, including the upcoming Downsizing as well as About Schmidt, Continue reading → November 15, 2017 The post Kevin Tent, ACE, on directorial debut Crash Pad, editing Downsizing appeared first on Randi Altman's postPerspective.

Women in Animation Awards Two Phyllis Craig Schola

November 15, 2017, 05:37 PM

http://www.animationmagazine.net/people/women-in-a...

Women in Animation announces that, for the first time, it has selected two recipients for the Phyllis Craig Scholarship: Heather Forlong and Esther Tejano. The annual award for student artists was established in 1997 to honor the legacy of founding member Phyllis Craig.

Cleo from 5 to 7 (1962)

November 15, 2017, 11:08 AM

http://feedproxy.google.com/~r/artofthetitle_rss/~...

“Everybody spoils me. Nobody loves me.” — Florence 'Cléo' Victoire ...

Finalizó el *Taller de Montaje de secuencias de g

November 15, 2017, 11:08 AM

http://saeditores.org/Novedades/Finalizo-el-Taller...

El sábado 3 de diciembre finalizó la segunda edición del taller Montaje de secuencias de género, puesta y edición en secuencias de suspenso, acción y comedia, dictado por Andrea Kleinman (SAE - EDA) y organizado por la Comisión de Cultura y Desarrollo Profesional de la SAE...

The Fundamentals of Animating a Rolling wheel in C

November 15, 2017, 11:08 AM

http://lesterbanks.com/2017/11/fundamentals-animat...

Orestis Konstantinidis Covers How to Animate a Rolling Wheel in Great Detail Orestis Konstantinidis covers some of the foundational aspects of being able to roll a wheel in Cinema 4D efficiently. If you are animating The Post The Fundamentals of Animating a Rolling wheel in C4D originally appeared and published on %%BLOGLINK%,by lesterbanks

An Easy Way to Position 3D lights in Ae

November 15, 2017, 11:08 AM

http://lesterbanks.com/2017/11/easy-way-position-3...

Use a Camera to Easily Control 3D Lights in After Effects If you think that moving and pointing 3D lights in After Effects is a pain, you are not alone. Most other applications will allow The Post An Easy Way to Position 3D lights in Ae originally appeared and published on %%BLOGLINK%,by lesterbanks

Avid at NAB NY 2017

November 15, 2017, 11:08 AM

https://www.videoguys.com/blog/avid-nab-ny-2017/

NAB NY 2017 was bigger than ever and we got a first-hand look into a few of the leading companies in the industry.  Anthony Dragan from Avid gave us an inside look at their booth highlighting two of their most popular products.  The Avid Artist | DNxIQ video interface and Avid | NEXIS Pro shared Read More The post Avid at NAB NY 2017 appeared first on Videoguys Blog.

Halo Bender Plugin for FCP X, Premiere Pro, AE and

November 15, 2017, 11:07 AM

https://fxfactory.com/blog/after-effects/halo-bend...

Organic color effects engine with infinitely flexible variations.

Cleo from 5 to 7 (1962)

November 15, 2017, 11:07 AM

http://www.artofthetitle.com/title/cleo-from-5-to-...

What would you do if you were waiting to hear from your doctor about a potentially fatal illness? How would time start to feel? Would it feel sharply accelerated or laboriously slow? You look in the mirror and remind yourself that you’re still alive. The bustle of life continues all around you, suddenly alien. Something feels definitively off.

THOR - RAGNAROK: Kevin Souls (VFX Supervisor) & Ra

November 15, 2017, 11:07 AM

http://www.artofvfx.com/thor-ragnarok-kevin-souls-...

Last July, Kevin Souls explained to us about the work of Luma Pictures on SPIDER-MAN: HOMECOMING. Raphael A. Pimentel has been working for nearly 14 years at Luma Pictures. He has participated in films such as HANCOCK, X: FIRST CLASS, THE AVENGERS and GUARDIANS OF THE GALAXY.

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