It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 14, 2017, 10:18 AM
https://www.aotg.com/making-the-cut-chris-king-ace-editor-senna-amy/
Chris King, ACE discusses the fluid nature of documentary narratives and the importance of finding a unique voice to tell a story.
November 14, 2017, 10:18 AM
http://lesterbanks.com/2017/11/control-animated-no...
Equiloud Exposes Issues & Offers Workarounds When Working With Animated Noise in Cinema 4D Uwe Schweer-Lambers offers a simple workaround for creating various speed animated noise in Cinema 4D by using the Fusion Shader. That The Post How to Get Better Control Over Animated Noise Speed in C4D originally appeared and published on %%BLOGLINK%,by lesterbanks
November 14, 2017, 10:18 AM
http://lesterbanks.com/2017/11/traditionally-anima...
Tracey Strong Takes the Mystery Out of Animating Fire Traditionally With Some Great Tips Stylus Rumble covers a couple of the techniques that animators use to create animated fire effects. If you are looking to The Post Tips for Traditionally Animating Fire Effects originally appeared and published on %%BLOGLINK%,by lesterbanks
November 14, 2017, 10:17 AM
http://saeditores.org/Novedades/Casi-famosos-por-M...
Siempre es difícil para los editores explicar en qué consiste nuestro oficio y, mucho más, hacer entender a otros como podemos estar trabajando a lo largo de meses y meses en una misma película. Este relato de Mark Livolsi (ACE) acerca de las enormes transformaciones de una escena durante el montaje de Casi famosos (Cameron Crowe, 2000) es una buena explicación de ese proceso y de las particularidades de nuestro trabajo.
November 14, 2017, 10:17 AM
http://collider.com/thor-ragnarok-zene-baker-inter...
On Thor: Ragnarok, editors Zene Baker and Joel Negron worked with director Taika Waititi to breathe a new and undeniably hilarious life into the franchise’s third installment. In the film, Thor (Chris Hemsworth) finds himself having to get back to Asgard to stop the destruction of his homeworld and the end of civilization there, at the hands of the scarily powerful Hela (Cate Blanchett). Utilizing a refreshing level of humor and fun throughout the story, Thor must get his duplicitous adopted b...
November 14, 2017, 10:17 AM
http://www.artofvfx.com/thor-ragnarok-stuart-lashl...
Last September, Stuart Lashley explained the work of Double Negative on BABY DRIVER. He totally changes of universes today with THOR: RAGNAROK.
November 14, 2017, 10:16 AM
http://www.artofvfx.com/spider-man-homecoming-vfx-...
Check out this VFX Breakdown by Trixter about their work on SPIDER-MAN – HOMECOMING...
November 14, 2017, 06:11 AM
https://www.sgo.es/sgo-demonstrates-hpa-award-winn...
SGO will be showcasing Mistika with exclusive demonstrations on VR, FX, Colour grading and finishing with a special focus on
November 14, 2017, 06:11 AM
https://www.aotg.com/vector-smear-stylized-motion-blur/
Learn 3 methods to create a smear effect rather than a traditional motion blur in After Effects. This is especially nice for animations with crisp vector images. It gives the image a feel of motion blur without the blurry soft edges.
November 14, 2017, 06:10 AM
http://www.allanmckay.com/105/
This is Allan McKay. Welcome to Episode 105! I’m speaking with Ruben Mayor, Senior Technical Director at Weta. I’m excited for this one. I’ve known Ruben for I don’t even know how many years. He is a super talented Technical Director who’s worked for places like Mr. X in Toronto, Sony, ImageWorks, Weta and other places.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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