It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 10, 2020, 02:16 PM
http://www.postmagazine.com/Press-Center/Daily-New...
LOS ANGELES — The Visual Effects Society (www.visualeffectssociety.com) announced the nominees for the 18th Annual VES Awards. The yearly celebration recognizes outstanding visual effects artistry and innovation in film, animation, television, commercials and video games and the VFX supervisors, VFX producers and hands-on artists who bring this work to life.
January 10, 2020, 02:15 PM
https://lesterbanks.com/2020/01/how-to-breakup-a-h...
Daniel Llussà shares techniques you can use to add breakup to Houdini emitters. FX TD Daniel Llussà shows a few different ways that you can add breakup effects to emitters in Side FX Houdini. When you work
January 10, 2020, 02:14 PM
https://www.provideocoalition.com/after-effects-pe...
When you install After Effects, Adobe also installs a separate program that can vastly improve productivity. You already have it. It’s there on your hard drive, right next to the main After Effects program. Even if you already know about it, there’s a good chance you’re not using it. It’s a standalone After Effects rendering engine, usually called AErender, and if we think of it as part of After Effects then I don’t know of any other feature with more potential to improve productivity.
January 10, 2020, 02:14 PM
https://www.cgwires.com/vfx-legion-crafts-effects-...
ed by VFX Supervisor James David Hattin, VFX Legion’s global team of artists created all of the visual effects for ‘Black Christmas,’ the second remake of the classic holiday horror film. Blumhouse Productions returned to the LA/B.C.-based company for a range of digital shots - from blanketing the exterior scenes with CG snow to adding visual effects that augment the ominous look of the supernatural villain.
January 10, 2020, 02:14 PM
https://www.goldderby.com/article/2020/avengers-en...
Already a “fan” of the Marvel Cinematic Universe, visual effects supervisor Dan DeLeeuw knew that “Avengers: Endgame” “was going to be the biggest film we’d ever done.” He wasn’t wrong. The Disney release eventually became the highest box office grosser in history, so the pressure to deliver was immense. Watch our exclusive video interview with DeLeeuw and fellow VFX supervisors Matt Aitken, Russell Earl and Jen Underdahl above.
January 10, 2020, 02:14 PM
https://nofilmschool.com/de-age-terminator-dark-fa...
Everyone is talking about the de-aging in The Irishman and Gemini Man, but what about the epic maneuvers they used in Terminator: Dark Fate to recreate 90s Arnold, Edward Furlong, and Linda Hamilton?
January 9, 2020, 01:42 PM
https://www.studiodaily.com/2020/01/game-thrones-m...
Game of Thrones and The Mandalorian have topped this year’s Visual Effects Society (VES) Awards nominations for episodic, commercial or real-time projects with six nominations each, the organization said today. Meanwhile, in the feature-film categories, Alita: Battle Angel, The Lion King and Toy Story 4 are the titles to beat, with five nominations apiece. It’s worth noting that The Lion King […] The post Game of Thrones, The Mandalorian Lead VES Award Nominees appeared first on...
January 9, 2020, 01:42 PM
https://www.studiodaily.com/2020/01/deep-fake-comp...
Digital artist Sham00k (motto: “I make the best worst deep fakes on the internet”) illustrated the state of the art in AI-assisted face-replacement technology at the end of last year, sharing this Christmas-themed video in which Jim Meskimen‘s impressions of Hollywood stars get a visual assist from so-called deep-fake technology. The post Deep Fake Comparison – Deeper Metrics of Christmas by Jim Meskimen appeared first on Studio Daily.
January 9, 2020, 01:41 PM
https://www.awn.com/news/union-vfx-recreates-treas...
UK-based visual effects house tackles St. Peter’s Square, the Basilica and Michelangelo’s masterpiece, the Sistine Chapel ceiling.
January 8, 2020, 07:36 PM
https://www.aotg.com/jvc-pro-now-shipping-connected-cam-500-series/
WAYNE, NJ, JANUARY 8, 2020 – JVC Professional Video, a division of JVCKENWOOD USA Corporation, is now shipping its CONNECTED CAM 500 Series streaming handheld camcorders.
#video#jvc#camera
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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