To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

When to Use OpenCL and When to Use VEX in Houdini

November 9, 2017, 01:51 PM

http://lesterbanks.com/2017/11/use-opencl-use-vex-...

Jeff Lait Addresses When You Should Use OpenCL and When You Should Use VEX in This Houdini 16.5 Masterclass Senior Mathematician for Side FX, Jeff Lait presents a Houdini 16.5 Masterclass on how to use The Post When to Use OpenCL and When to Use VEX in Houdini originally appeared and published on %%BLOGLINK%,by lesterbanks

How And Why CGI Took Over Movies

November 9, 2017, 01:51 PM

https://www.aotg.com/how-and-why-cgi-took-over-movies/

Computer generated imagery and animation has come to dominate contemporary film, once used sparingly by large budget productions, it’s now used across the industry in all manner of shapes and sizes. CGI is now a quintessential part of Hollywood. Here’s how and why that happened.

Weta Workshop - Blade Runner 2049 Miniatures

November 9, 2017, 01:50 PM

https://www.aotg.com/weta-workshop-blade-runner-2049-miniatures/

Weta Workshop was honoured to contribute practical miniatures, selected cinematography, and concept design work to Blade Runner 2049, directed by Denis Villeneuve.

BladeRunner2049 UI Reel

November 9, 2017, 01:50 PM

https://vimeo.com/240920045

Have a look at the beautiful UI work of Territory Studio for BLADE RUNNER 2049 (click on the picture below to watch it)

Wisycom Introduces Fiber Solutions at Inter BEE

November 9, 2017, 09:26 AM

https://www.aotg.com/wisycom-introduces-fiber-solutions-at-inter-bee/

Wisycom, designer and builder of the most sophisticated RF solutions for broadcast, film and live production, will display its Bx1 Fiberbox with MFLC Compact Wideband Optical Link for the first time in Japan at this year's Inter BEE show.

#wisycom
Cintel Scanner Used on George Michael Documentary

November 9, 2017, 07:19 AM

https://www.aotg.com/cintel-scanner-used-on-george-michael-documentary/

Blackmagic Design today announced that its Cintel Scanner was used to help digitize archived footage held on 16mm and 35mm film for new Channel 4 autobiographical documentary “George Michael: Freedom.”

#post production#cintel#film scanning
*Al centro de la tierra*, por Lorenzo Bombicci (SA

November 9, 2017, 05:54 AM

http://saeditores.org/Novedades/Al-centro-de-la-ti...

Una síntesis personal de la edición por sus artífices.

OPEN CALL IS NOW CLOSED

November 9, 2017, 05:54 AM

http://www.karenschmeer.com/news/2017/11/8/open-ca...

Open call is now closed. The deadline was September 29, 2017. Thank you to everyone who applied for our 2018-19 fellowship. We've started the screening process and are already impressed by the quality of the applicants. Candidates will be notified of their status in January 2018 and we'll introduce our eighth fellow in March 2018 at the SXSW Film Award Ceremony.

La SAE entregó el Premio al Mejor Montaje en el F

November 9, 2017, 05:53 AM

http://saeditores.org/Novedades/La-SAE-entrego-el-...

Por primera vez, la SAE entregó un Premio al Mejor Montaje en el Festival Nacional de Cine de Tandil. Los ganadores fueron Delfina Castagnino, Santiago Esteves y Mariano González por la edición de Los Globos, dirigida por el propio González.

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