To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Cinema Audio Society adds Two Board members
November 7, 2017, 10:37 AM
http://www.btlnews.com/blog-the-line/cinema-audio-...
Chris Newman And Jeff Haboush Join Cinema Audio Society Board Of Directors6 November 2017, Los Angeles—The Cinema Audio Society welcomes new Board Members, Re-recording Mixer Jeffrey J. Haboush, CAS and Production Sound Mixer Chris Newman, CAS. Chris and Jeff will be filling the vacancies on the Board left by the recent passing of Production Mixer […] The post Cinema Audio Society adds Two Board members appeared first on Below the Line.
Making The Cut: Steven Worsley, editor War & Peace
November 7, 2017, 10:37 AM
https://www.aotg.com/making-the-cut-steven-worsley-editor-war-peace/
Steven Worsley discusses his recent drama projects, including War and Peace, and what he learned from being an edit assistant.
Create an Arnold Toon Shader With This Cel Shader
November 7, 2017, 10:37 AM
http://lesterbanks.com/2017/11/arnold-cel-shader-t...
Technical and Rigging Artist Steffano Richi Shares a Free Cel SHader Tool for Arnold 5 & Maya Solid Angle’s Arnold had a couple of options for creating that cel-shaded cartoon look. One of the options The Post Create an Arnold Toon Shader With This Cel Shader Tool originally appeared and published on %%BLOGLINK%,by lesterbanks
Working With Animation Nodes Text in Blender
November 7, 2017, 10:36 AM
http://lesterbanks.com/2017/11/working-animation-n...
Zach Hixson Covers the Essentials for Working with Text When Using Animation Nodes for Motion Graphics Work Motion graphics and type animation go hand in hand. If you are working with Blender, Text is simple. The Post Working With Animation Nodes Text in Blender originally appeared and published on %%BLOGLINK%,by lesterbanks
Cut with Final Cut Pro X: Second World War Epic Mo
November 7, 2017, 10:36 AM
http://www.fcp.co/final-cut-pro/articles/2015-cut-...
4 weeks after Finnish/English editor Ben Mercer came to talk about his work on this major movie during FCPX World at IBC, the World War II drama Unknown Soldier (Tuntematon Sotilas) has broken the opening weekend record at the Finnish box office, competing with the biggest international film productions in the world.
This AI Turns Unrecognizable Pixelated Photos Into
November 7, 2017, 10:36 AM
https://www.fastcodesign.com/90149773/this-ai-turn...
Remember all the times you snickered when some TV character zoomed in on a photo and said “Enhance!” turning a blurred mess into a highly detailed, razor-sharp image? Now there’s a system–an artificial intelligence-powered image-scaling program called EnhanceNet–that will make that film trope impossible to laugh at, because it’s now a technological reality.
The 9 Rules that Compose the Road Runner Show Bibl
November 7, 2017, 10:36 AM
http://www.mentorless.com/2017/11/07/9-rules-compo...
How did they come up with those rules? I don’t know, but one thing is certain: even if you’ve never seen an episode of Road Runner, you will know exactly what type of humor and style to except just by reading this Show Bible. Not because they anticipated the result, but because they create a frame, and stuck to creating within it. Some rules must have felt like real obstacles to overcome and I’m sure at times they...
THOR - RAGNAROK: Jake Morrison - Overall VFX Super
November 7, 2017, 10:36 AM
http://www.artofvfx.com/thor-ragnarok-jake-morriso...
In 2015, Jake Morrison explained to us about his work on ANT-MAN. He is talking to us today about his fourth film with the god Thor.
Composing the Call Of Duty WWII Score
November 7, 2017, 10:36 AM
http://reaperblog.net/2017/11/codwwii_w_roget/
Last week in a Facebook group post Wilbert Roget II announced he had completed the score for the upcoming game Call Of Duty WWII, entirely in a single REAPER project. Seeing REAPER used on such a high profile game really feels like a victory for the community. Wilbert’s announcement turned to a Q&A which I have collected and reformatted to not be lost ephemerally. My own questions to Wilburt follow the community Q&A.
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Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
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Editing The Black Lady Sketch Show
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
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Philip White on Crafting A Madea Homecoming's Music
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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