It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 7, 2017, 05:39 AM
http://www.postmagazine.com/Press-Center/Daily-New...
TOKYO — Wacom (www.wacom.com) has introducd the Wacom Pro Pen 3D, a new digital pen that is designed for use on the company’s MobileStudio Pro, Cintiq Pro or 2017 Intuos Pro pen tablet. The pen’s new third button provides additional control options for 3D programs and applications.
November 7, 2017, 05:37 AM
http://deadline.com/2017/11/edgar-wright-baby-driv...
In our first Crew Call podcast of awards season, we sit down with Baby Driver director Edgar Wright and his supervising Sound Editor/Sound Designer Julian Slater to discuss how they made the director’s passion project the visceral and aural experience of the summer — an original piece of IP that could be seen only in theaters and stood out among a sea of dusty franchises.
November 7, 2017, 05:37 AM
http://www.animationmagazine.net/vfx/rising-sun-pi...
Rising Sun Pictures (RSP), Australia’s premiere visual effects studio, produced more than 170 final visual effects shots for Thor: Ragnarok¸ the new film from Marvel Studios. Working under the supervision of Director Taika Waititi, production Visual Effects Supervisor Jake Morrison and production Visual Effects Producer Cyndi Ochs, RSP’s team spent more than 18 months helping to craft some of the film’s most memorable, creative and technically challenging scenes.
November 7, 2017, 05:37 AM
http://www.allanmckay.com/104/
This is Allan McKay. Welcome to Episode 104! I’m speaking with the one and only Victor Navone, a Supervising Animator at Pixar. I’m really excited about this one. You may remember Victor: Back in the late 90s, he made Alien Song, a really cool, funny video that broke outside the nerd circle of 3D and it became pretty mainstream. A lot of people would circulate it over email before we had any go-to websites.
November 6, 2017, 02:33 PM
http://saeditores.org/Novedades/Curso-Color-Manage...
La Comisión de Cultura y Desarrollo Profesional de la SAE abre la inscripción a la primera edición del curso Color Management, dictado por Santiago Svirsky y Sebastián Toro -socios adherentes de nuestra asociación- y auspiciado por la ADF (Autores de Fotografía Cinematográfica Argentina). El curso se desarrollará en una única jornada, el sábado 2 de diciembre, de 15 a 20 horas, en Avenida Caseros 574 1º A, Ciudad de Buenos Aires...
November 6, 2017, 02:33 PM
http://www.postmagazine.com/Press-Center/Daily-New...
ADELAIDE, SOUTH AUSTRALIA — Rising Sun Pictures (rsp.com.au) created more than 170 final visual effects shots for Thor: Ragnarok¸ the new film from Marvel Studios. Working under the supervision of director Taika Waititi, production visual effects supervisor Jake Morrison and production visual effects producer Cyndi Ochs, RSP’s team spent more than 18 months helping to craft some of the film’s most memorable, creative and technically challenging scenes.
November 6, 2017, 02:33 PM
https://journaldunemonteuse.wordpress.com/2017/11/...
Publicités Classé dans:Métier monteuse
November 6, 2017, 02:31 PM
http://lesterbanks.com/2017/11/introduction-houdin...
Rohan Dalvi’s New Tutorial Series Helps Beginners Get Started With The Houdini Interface If you have ever wanted to get started with Side FX Houdini, now might be the time. Rohan Dalvi stared a new The Post An Introduction to Houdini: The Interface originally appeared and published on %%BLOGLINK%,by lesterbanks
November 6, 2017, 11:47 AM
http://www.postmagazine.com/Press-Center/Daily-New...
HOLLYWOOD — The Emmy Awards are famous for their celebration of glamorous stars and the art of television excellence, but they also celebrate the science behind that art, and are often the unsung heroes behind all the technical advances that make that art possible. On October 25th, the Television Academy held its 69th Engineering Emmy Awards Show honoring an individual, company or organization for developments in broadcast technology. Kirsten Vangsness, star of the critically acclaimed CBS...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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