To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Jigsaw and Technicolor PostWorks Team for 'Sinatra

May 15, 2015, 10:44 AM

http://www.creativeplanetnetwork.com/news/post/jig...

For postproduction on filmmaker Alex Gibney’s HBO documentary Sinatra: All or Nothing at All, Technicolor PostWorks New York collaborated with Gibney’s production team and editors from Jigsaw New York. Airing on HBO as a four-hour miniseries, the film tells the story of Sinatra’s life and career leading up to his famous 1971 “retirement concert” in Los Angeles. Unusually, the documentary is composed almost entirely from archival material—there are no new on-camera interviews. Rather,...

What is this 23.98 fps and 24 fps confusion?

May 15, 2015, 10:44 AM

http://neilsadwelkar.blogspot.ca/2015/05/what-is-t...

First off, 23.976 fps and 23.98 fps is the same thing, One is just showed as rounded off to two decimals.

Post Mortem Eps 32 - Budget Cuts, Animation Emmy's

May 15, 2015, 04:08 AM

https://www.aotg.com/post-mortem-eps-32-budget-cuts-animation-emmys/

This week's Post Mortem covers budget cuts in Canada and Australia, Animation Emmy Winners, Avengers VFX, and more.

Digital Production Buzz – May 14, 2015

May 15, 2015, 03:45 AM

http://www.digitalproductionbuzz.com/2015/05/digit...

On the Digital Production Buzz, Larry Jordan and Michael Horton talk with guests Mark August, Iain Richardson, and Seth Worley: Secrets of a Successful Cinematographer Beamshare: Collaborative Media Share and Review Creating Viral Videos that Work! The post Digital Production Buzz – May 14, 2015 appeared first on Digital Production BuZZ.

Pour l’amour d’un regard…

May 15, 2015, 03:45 AM

https://journaldunemonteuse.wordpress.com/2015/05/...

Je scrute tes yeux. Sont-ils plus « parlant » ici ou là ? Que disent-ils ? A quoi penses-tu dans ce taxi ? Dois-tu être plus en colère ? moins en colère ? A quel endroit de la prise aurais-je le plus … Lire la suite →

Final Cut Pro X updated to 10.2.1, Motion to 5.2.1

May 14, 2015, 04:15 PM

http://www.fcp.co/163-draft/1665-final-cut-pro-x-u...

Well would you know, two days after suggesting Apple might publish an update to FCPX, they have just announced new versions, Final Cut Pro X 10.2.1 and Motion 5.2.1.

After Effects Warp Cuts

May 14, 2015, 01:15 PM

http://cgi.tutsplus.com/tutorials/after-effects-wa...

Jump cuts in interviews can be difficult to work with due to the gaps that are left behind in the video footage. This tutorial illustrates a technique using After Effects to help smooth out jump cuts.

Starting Your Career With Misha Tenenbaum

May 14, 2015, 09:30 AM

http://www.aotg.com/index.php?page=getting_started...

We sat down for a chat with Misha Tenenbaum, owner of Editstock.com, a tool for students and young editors to develop their editorial skills. Misha is also an assistant editor in Los Angeles, for projects like American Horror Story, Wayward Pines, and Jobs. Misha joined us to discuss some key ideas and strategies for starting a successful career in the film business.

The Creative Life and Well-Being

May 14, 2015, 09:29 AM

http://www.creativitypost.com/psychology/the_creat...

The Creative Life is full of new possibilities, discoveries, exploration, experimentation, self-expression, and invention. It’s a habit, a way of being, a style of existing. But is the Creative Life full of well-being?

Nice Shoes Installs Remote Color Grading System at

May 14, 2015, 09:28 AM

http://www.btlnews.com/crafts/post-production/nice...

Nice Shoes has installed its Remote Color system at Optimus’ location in Santa Monica. The technology features both a secure HD feed and a display calibrated by the studio’s engineers to match exactly with the monitors in New York. Clients and colorists can see each other through an additional monitor, allowing them to collaborate efficiently. The system runs in real time, with no delay between New York, Chicago and Santa Monica, making it feel as though everyone is working together in t...

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