To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
How Collaborative Editing Makes Creatives More Cre
October 26, 2017, 04:38 AM
http://www.studiodaily.com/partners/collaborative-...
When it comes to the evolution of collaborative editing, Simon Haywood, Dell EMC Solutions Architect, Media and Entertainment, takes the long view. Haywood put in time as a satellite engineer for the BBC before joining Isilon, and he remembers when editing was an intuitive, linear process that resulted in a videotape that you could hold […] The post How Collaborative Editing Makes Creatives More Creative appeared first on Studio Daily.
Getting stuck in a screening like
October 26, 2017, 04:38 AM
http://renderplease.com/post/166783083305
Andy Serkis Explains Motion Capture
October 26, 2017, 04:37 AM
https://www.aotg.com/andy-serkis-explains-motion-capture/
‘War for the Planet of the Apes’ star Andy Serkis is the world’s greatest motion capture performer. His abilities are so in-demand that much of the technology behind motion capture has evolved along with his performances. Andy breaks down some of the major moments of his career along with how the filmmaking tools have changed alongside it.
What happens in Vegas (Blade Runner VFX)
October 26, 2017, 04:37 AM
https://vfxblog.com/2017/10/25/what-happens-in-veg...
In the third act of Blade Runner 2049 we arrive at a stark orange-y Las Vegas, now a wasteland where the replicant and Blade Runner K (Ryan Gosling) has sought out the old-school Blade Runner Deckard (Harrison Ford).
Composing for VR Games
October 26, 2017, 04:37 AM
https://soundandpicture.com/2017/10/lone-echo-comp...
Ready At Dawn’s new space-adventure VR game Lone Echo, available on the Oculus Rift, takes place on the Kronos II mining station that’s orbiting Saturn. The ship’s human captain Olivia Rhodes relies on her ECHO ONE service droid named “Jack” to help her face increasingly perplexing challenges that threaten the station’s functionality and habitability. Alone in space, her only lifeline is the technology that surrounds her.
Using Low-Key Lighting For A Dramatic Effect
October 25, 2017, 01:16 PM
https://www.amazingmusictracks.com/blog/using-low-...
Light and shadows are great for visual storytelling. Give any scene in your project a deep and melancholic atmosphere with a low-key lighting approach.
#filmmaking#video production#photographyThe A-List — Josh Earl, ACE (Deadliest Catch) an
October 25, 2017, 12:34 PM
https://www.aotg.com/the-a-list-josh-earl-ace-deadliest-catch-an-2/
Josh Earl is known for his work on Deadliest Catch (2005), American Heiress (2007) and Jay and Silent Bob's Super Groovy Cartoon Movie (2013). Winner of the Emmy Award for Outstanding Picture Editing for an Unstructured Reality Program for Deadliest Catch (2005) form 2011-2015. Was nominated for four other Emmy Awards.
Avid EUCON 3.7 Delivering Greater Control
October 25, 2017, 12:34 PM
http://www.broadcastbeat.com/avid-eucon-3-7-delive...
The latest Avid EUCON 3.7 software update is delivering more upgrade enhancements by providing both the musician and the professional technician greater control and lighting fast workflows. Powered by MediaCentral® the EUCON is an open software protocol, which enables seamless integration between any and all of the following control surfaces. Avid control surfaces and Pro ...
An Overview of the 3D Character Workflow for Begin
October 25, 2017, 12:33 PM
http://lesterbanks.com/2017/10/overview-3d-charact...
Danny Mac Offers Workflow Insights for Beginners Who are Interested in the 3D Character Creation Pipeline UK based character artist Danny Mac posts a look at how he approaches creating 3D characters. Using a range The Post An Overview of the 3D Character Workflow for Beginners originally appeared and published on %%BLOGLINK%,by lesterbanks
Digital Production Buzz – October 26, 2017
October 25, 2017, 09:50 AM
http://www.digitalproductionbuzz.com/2017/10/digit...
Tonight we talk about commercials. How do we get the word across in just 30 seconds and how to avoid clichés. Join host Larry Jordan as he talks with Mark Jackson, Craig Ratcliffe, Cirina Catania, Jon Schellenger, and James DeRuvo. … The post Digital Production Buzz – October 26, 2017 appeared first on Digital Production BuZZ.
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