It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 25, 2017, 09:50 AM
http://lesterbanks.com/2017/10/2-ways-animate-draw...
Autodesk’s Roland Reyer Shares 2 Methods to Draw On a Placer Node Action in Maya MASH’s placer node allows you to easily paint object on a surface of another object, even cycling through a range The Post 2 Ways to Animate a Draw On Effect in Maya originally appeared and published on %%BLOGLINK%,by lesterbanks
October 25, 2017, 09:49 AM
http://www.artofvfx.com/blade-runner-2049-richard-...
Richard Hoover has more than 25 years of experience in visual effects. He started at Dream Quest Images and then worked for The Walt Disney Company and Sony Pictures Imageworks. He joined Framestore in 2015. As a VFX supervisor, he took care of the effects of films such as ARMAGEDDON, REIGN OF FIRE, SUPERMAN RETURNS and BEAUTY AND THE BEAST.
October 25, 2017, 09:49 AM
https://www.provideocoalition.com/why-fcp-x 360-po...
Last year, I sat through a discussion on these topics at the Final Cut Pro X Creative Summit in Cupertino. I had some interesting reactions, most of which included the word “puzzled.” How were the cameras positioned? What sort of magic had to occur to edit 360 video? How can a viewer with so much freedom be directed to see what I want them to see? How do stories get told?
October 25, 2017, 07:00 AM
https://www.aotg.com/rtw-adds-elber-s-r-l-as-distributor-in-italy/
New Partnership Expands RTW's Presence in Key Region
#rtwOctober 25, 2017, 04:10 AM
http://www.postmagazine.com/Press-Center/Daily-New...
SAN FRANCISCO — Autodesk (www.autodesk.com) has released update 3 for its Flame 2018 family of 3D visual effects and finishing software, which includes Flame, Flare, Flame Assist and Lustre. Flame 2018.3 provides feature enhancements that offer greater pipeline flexibility, speed and support for emerging formats and technology.
October 25, 2017, 04:10 AM
https://www.aotg.com/editor-dylan-tichenor-ace-on-challenging-the-audi/
Dylan Tichenor, ACE, began working on films as an assistant to Geraldine Peroni (an American film editor) in the 1990’s. When Peroni passed away in 2004, Tichenor stepped to finish her work on Ang Lee’s "Brokeback Mountain." Tichenor was first credited with Paul Thomas Anderson's "Boogie Nights," for whic...
October 25, 2017, 04:09 AM
http://www.fcp.co/final-cut-pro/2010-we-are-publis...
FCPX World at IBC 2017 was a great experience. For the third year in a row, the Spaces building next to the Amsterdam RAI was the epicenter of everything related to Final Cut Pro X at IBC. The Club Room at Spaces was converted to a pop-up television studio where high-profile professionals from all over Europe and the USA came to showcase their work with FCP X.
October 25, 2017, 04:09 AM
http://www.broadcastbeat.com/vfx-students-from-ris...
Animated short, directed by Jeremy Kelly-Bakker premiered at the Adelaide Film Festival and has generated more than 1 million views across YouTube and Facebook. Adelaide, South Australia— The short film Lucy and DiC, which recently made its world premiere at the Adelaide Film Festival, imagines a time in the not too distant future when technology ...
October 25, 2017, 04:09 AM
https://www.aotg.com/stardust-for-after-effects/
Not very often do After Effects plugins come along that totally change up the way you do things, for the better, Stardust is one of those plugins!!! Completely modular and node based, Stardust is super powerful and can create some really cool results.
October 25, 2017, 04:08 AM
http://digg.com/2017/adobe-project-cloak
In the near future, it's going to be basically impossible to believe what you see, when anyone can easily do things like removing people from a video clip.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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