It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 25, 2017, 04:08 AM
https://vfxblog.com/2017/10/23/how-blade-runner-20...
The ménage à trois between K (Ryan Gosling), his companion hologram Joi (Ana de Armas) and Mariette (Mackenzie Davis) in Denis Villeneuve’s Blade Runner 2049 is a stunningly realised sequence. It involves the real human Mariette interacting with K, while also ‘merging’ at times with Joi.
October 25, 2017, 04:08 AM
http://www.cartoonbrew.com/shorts/70-animators-ban...
Earlier this month, Universal’s live-action/cg hybrid Woody Woodpecker feature shot to no. 1 at Brazilian theaters, and, in its first three weeks, has grossed over $6 million in that country.
October 25, 2017, 04:08 AM
http://www.content-technology.com/asiapacificnews/...
At its 2017 edition in November, some of the highlights of SIGGRAPH Asia include a spotlight on production teams from some of the world’s leading studios, including Pixar, as well as films released in 2017, such as Blade Runner 2049, along with the SIGGRAPH Pioneers Group.
October 25, 2017, 04:07 AM
http://nofilmschool.com/2017/10/your-editing-game-...
One thing you should always be on the lookout for as an editor is a good tool that allows you to not only work faster, but produce better content, and luckily professional NLEs give you plenty of options in that department. In this video, filmmaker Austin Newman shows you five ways to up your game in Premiere Pro, from speeding up your workflow with shortcuts to adding a little flavor to your text animations.
October 25, 2017, 02:24 AM
https://www.aotg.com/archiware-announces-lto-8-support-for-p5-suite/
Archiware GmbH, expert in data management software products Archiware P5 and Pure, announces support for the upcoming LTO-8 tape technology developed by the LTO Consortium. The innovative, eighth-generation LTO Ultrium format is certified for the P5 Software Suite by courtesy of Quantum Labs. It is compatible with Archiware’s tape-supported modules, P5 Archive and P5 Backup.
#archive#backup#tape#archiware#cloning#data management#p5 software suite#lto-8#lto ultrium#quantum#tape storageOctober 24, 2017, 12:16 PM
http://lesterbanks.com/2017/10/morph-ae-create-nul...
Mike Ridolfi Shows How Easy it is to Morph Shapes With After Effects 2018 and How Much More Control it Gives You After Effects 2018 lets users access the point of paths through expressions. This The Post Morph With More Control Thanks to Ae’s Create Nulls From Paths originally appeared and published on %%BLOGLINK%,by lesterbanks
October 24, 2017, 12:15 PM
http://postperspective.com/courtney-ryan-law-joins...
BlueRock, a NYC-based creative editing company, has added executive producer/managing director Courtney Ryan Law to its staff. During her career, Law has worked directly with multiple Fortune 500 companies, including Victoria’s Secret, PepsiCo, DSW, Conair Corp. and Johnson & Johnson. She has also worked on the Victoria’s Secret Fashion Show in Paris, Continue reading → October 24, 2017 The post Courtney Ryan Law joins editing house BlueRock as EP/MD appeared first on Randi Altman's...
October 24, 2017, 12:15 PM
http://lesterbanks.com/2017/10/output-depth-aov-ma...
Redshift’s Adrian Cruceru Give an In-Depth Look at Working With the Depth AOV in Redshift Maya and Nuke Adrian Cruceru is Redshift Rendering Technologies’ Technical Support Specialist. Watch this 24 minute tutorial that covers how The Post How to Output Depth AOV from Maya Redshift originally appeared and published on %%BLOGLINK%,by lesterbanks
October 24, 2017, 12:15 PM
http://www.broadcastbeat.com/frame-io-launches-600...
Enter to win the ultimate video editor’s dream workstation; all entries unlock a 30-day trial of Frame.io Pro and Adobe® Creative Cloud® New York City, NY – October 24, 2017 – Frame.io, the workflow management platform for video teams, has collaborated with industry leaders to assemble the ultimate workstation for video editors. Besides showcasing an incredible line-up of ...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.