To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

XEffects Viral Video Thirds Plugins for Final Cut

October 24, 2017, 12:15 PM

http://www.fcp.co/final-cut-pro/news/2009-xeffects...

Idustrial Revolution has just released a new set of plugins for FCPX based on animating thirds. XEffects Viral Video Thirds builds 'on trend' big, bright and dynamic videos. There's also a special launch price of $39.

A Quick Tip for Tearing FEM Cloth in Houdini

October 24, 2017, 12:14 PM

http://lesterbanks.com/2017/10/quick-tip-tearing-f...

Marc Albrecht Shows the Two Mouse Clicks That You Need to Get FEM Cloth Objects to Tear in Side FX Houdini Some people have a real hard time making cloth tear in Houdini. So VFX The Post A Quick Tip for Tearing FEM Cloth in Houdini originally appeared and published on %%BLOGLINK%,by lesterbanks

Miller Products Capture Images of Scotland Wildcat

October 24, 2017, 10:36 AM

https://www.aotg.com/miller-products-capture-images-of-scotland-wildcat/

Filmmaker and Videographer Jason Henwood recently had the chance to work on a passion project in the rugged terrain of Scotland, choosing Miller Camera Support Equipment, a leader in the production of innovative camera support solutions, to help capture footage of the subject of his documentary film, the Scottish Wildcat.

#miller
Create 3D Character Animation by Sketching Lines

October 24, 2017, 08:50 AM

http://theangryvideoguy.com/index.php/2017/10/24/m...

was just turned onto this company called Moka Studio with a innovative idea. Doing away with rigging controllers, the software controls the skeleton directly. The starting point is importing a FBX with skeleton already laid out from your 3D software.

#rigging#3d animation#character animation#ik rigging#mosketch
Frame.io Launches $60,000 Dreamstation Giveaway

October 24, 2017, 08:16 AM

https://www.aotg.com/frame-io-launches-60000-dreamstation-giveaway/

Enter to win the ultimate video editor’s dream workstation; all entries unlock a 30-day trial of Frame.io Pro and Adobe® Creative Cloud®

#editing#vfx#filmmaking#post production tools#giveaways
Cineo Lighting Expands European Reseller Network

October 24, 2017, 07:16 AM

https://www.aotg.com/cineo-lighting-expands-european-reseller-network/

Cineo Lighting, a leader in the production of lighting systems for the motion picture, television and broadcast industries, announces new initiative to grow its list of European resellers in response to an ever-growing catalog of lighting technology solutions.

#cineo lighting
The Ghazi Attack Graded on DaVinci Resolve

October 24, 2017, 05:56 AM

https://www.aotg.com/the-ghazi-attack-graded-on-davinci-resolve/

Blackmagic Design today announced that B2H Studios Private Limited, an entertainment company focused on providing world-class services to the global cinema industry, graded ‘The Ghazi Attack’ on Blackmagic Design’s DaVinci Resolve. The decade old company has two coloring suites in Chennai & and one in Hyderabad (South India).

#color grading#post production#color correction
Nathan Smith – One Prop at a Time

October 24, 2017, 05:18 AM

http://designingsound.org/2017/10/nathan-smith-one...

Nathan Smith is Sound Design Supervisor at Dallas,Texas based Gearbox Software. He has worked in TV, films including “The King of Kong” and video games such as the Borderlands franchise. What brought him to my attention was a series of videos he produced demonstrating various boxes and gadgets he constructed to capture sound assets for his […]

The sound of Netflix’s The Defenders

October 24, 2017, 05:18 AM

http://postperspective.com/sound-netflixs-defender...

By Jennifer Walden Netflix’s series, The Defenders, combines the stories of four different Marvel series already on Netflix: Daredevil, Iron Fist, Luke Cage and Jessica Jones. In the new show, the previously independent superheroes find themselves all wanting to battle the same foe —a cultish organization called The Hand, Continue reading → October 23, 2017 The post The sound of Netflix’s The Defenders appeared first on Randi Altman's postPerspective.

Quick Chat: Creating graphics package for UN’s E

October 24, 2017, 05:17 AM

http://postperspective.com/quick-chat-creating-gra...

Undefined Creative (UC) was recently commissioned by the United Nations Development Programme (UNDP) to produce a fresh package of event graphics for its Equator Prize 2017 Awards Ceremony. This project is the latest in a series of motion design-centered work collaborations between the creative studio and the UN, Continue reading → October 23, 2017 The post Quick Chat: Creating graphics package for UN’s Equator Prize ceremony appeared first on Randi Altman's postPerspective.

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